The AT2035PK vocal microphone pack is designed for streamers, podcasters, and other content creators who need a versatile, easy-to-install, easy-to-adjust boom microphone setup. The pack includes an AT2035 cardioid condenser microphone, a pair of ATH-M20x professional monitor headphones and a studio boom arm threaded with a XLR cable.
The adjustable studio boom arm clamps securely to desks, tables and other flat surfaces up to 55 mm (2.2") thick. The boom is equipped with a standard 5/8"-27 thread for easy attachment of the included microphone shock mount, and the XLR cable is threaded internally for a clean appearance and unhindered operation. Offering full 360° rotation and adjustable, spring-stabilized joints, the boom arm repositions quickly for optimal mic placement.
The rugged AT2035 side-address studio condenser microphone delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. The mic comes with an AT8458 shock mount to attenuate any noise, shock or vibration that’s transmitted through boom. Its analog XLR output connects easily to a digital converter or mixer.
Rounding out the pack are the ATH-M20x pro headphones, part of Audio-Technica’s critically acclaimed M-Series line. With 40 mm drivers tuned for enhanced low-frequency performance and comfortable, sound-isolating earpads, the M20x headphones are perfect for long monitoring sessions.
AT2035 Cardioid Condenser Microphone
ATH-M20x Professional Monitor Headphones
Microphone Shock mount w/ Threaded Cable
Large diaphragm for smooth, natural sound and low noise
High SPL handling and wide dynamic range provide unmatched versatility
Operating Priciple:..........Fixed-charge back plate, permanently polarized condenser
Pantom Power Requirements:...11-52V DC, 3.8 mA typical
Dimensions:………………170mm x 52 mm
Weight:………………….403g (14.2 oz)
Sensitivity:.................-33 dB (22.4 mV) re 1V at 1 Pa
n 2005, Samson introduced the world’s first USB studio condenser microphone, the C01U. Today, we’re expanding on its revolutionary design with the new C01U Pro. Now with a headphone output for zero-latency monitoring and an improved signal-to-noise ratio, the C01U Pro ensures the natural warmth and detail of vocal and instrumental performances are captured in all your digital recordings.
The C01U Pro is the most convenient way to get high-quality audio on your computer. Its large, 19mm diaphragm captures all the subtle nuances of your voice in a variety of applications. Whether you’re a musician or aspiring video or podcast producer, the C01U Pro will instantly increase the audio quality of your musical recordings, YouTube videos and podcasts. It also makes for superior singer- songwriter demos and accurate speech-to-text results. In addition, the mic element is shock-mounted within a solid die-cast metal construction to minimize unwanted handling noise/vibrations on your recordings.
The C01U Pro comes complete with a tripod stand and swivel mount. The microphone features plug-and-play operation (no driver installation required) so you can start recording immediately. The C01U Pro is also compatible with iPads and iPhones (4S and later) using Apple’s Lightning USB Camera Adapter or Camera Connection Kit (30-pin).
AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well.
The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.
Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch‐all in an elegant but rugged package. Besides, the C 214 will also work on low phantom power voltages from 12 up to 48 volts.
Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals.
The C 214 comes complete with carrying case, windscreen, and spider suspension mount included.
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Sensitivity: 20 mV/Pa (-34 dBV)
Max. SPL: 136/156 dB SPL (0/-20 dB) (for 0.5% THD)
Equivalent noise level: 13 dB-A to IEC 60268-4 (A-weighted)
Capable of delivering an exceptionally smooth, flat frequency response with highly predictable proximity effect, the ART D7 large diaphragm dynamic microphone offers a musicality and tone not easily attainable with small diaphragm dynamic or condenser microphones. The unique character and versatility of a large diaphragm dynamic makes the ART D7 an essential addition to any live sound or studio engineer's microphone toolkit.
In live sound and recording applications, the D7's cardioid pattern offers excellent feedback rejection and isolation, making it an exceptional choice for powerful vocal applications and a wide range of solo instruments including background brass and low range bass woodwinds, acoustic stringed instruments like cello and bass, bass amps, high volume guitar amps, drums and percussion. It offers full frequency response at the front of the microphone with a very controlled and predictable proximity effect - the increased low frequency response when microphone is placed close to sound source.
Vocalists can use the proximity effect to their advantage, adding fullness and more 'bottom end' to the voice. Experienced vocalists can easily incorporate it as part of their overall microphone technique. This is exceptionally useful when the D7 is used as an announcement microphone in broadcast applications.
Integrated High Pass Filter and Midrange Boost switches on the D7 allow tailoring the microphone response for specific applications, adding versatility and ensuring accurate tone shaping at the source.
The microphone's precision-tooled body and dent resistant stainless-steel wire-mesh windscreen offer unmatched long term reliability. The included shock-mount virtually eliminates vibration and handling noise, while at the same time safely securing the microphone in any position needed during use. Aluminum carry case included.
D7 Large Diaphragm Dynamic Microphone
Aluminum carry case
Large Diaphragm Dynamic Design
Smooth, Flat Response
Exceptional Presence and Low Frequency Balance
Extreme Shielding for Use in High EM Field Environments
Ideal Microphone for Broadcast Applications
Integrated High Pass Filter and Midrange Boost Switches
The Apex747 side address supercardioid microphone delivers exceptional tone in a visually stunning vintage styled package. The black over black chrome all metal chassis, vintage yoke design and antique windscreen make the Apex747 the ideal microphone for artists needing to make a visual as well as sonic impact from their stage.
Supercardioid polar pattern delivers exceptional off-axis feedback rejection making the Apex747 a perfect choice for live sound vocal reinforcement even in high stage volume environments. Although the Apex747 has the appearance of a vintage microphone, the high performance capsule delivers the exceptional sonic performance required in modern live sound or broadcast applications.
The Apex747 comes with an integrated microphone standmount and ships in aluminum carry case.
Apex747 Supercardioid Side Address Dynamic Microphone
An excellent choice for use on guitar or bass cabinets, for background vocals, on strings, brass and woodwinds, acoustic guitars or upright basses or any application where subtlety and clarity is paramount and high sound pressure handling is required.
The rugged Apex415B is also the microphone of choice for live recording or live sound reinforcement applications.
Apex415B Large Diaphragm Condenser
Carry Case (CAS0008)
Solid State Wide Diaphragm Microphone
Three Selectable Polar Patterns (Omni, Cardioid & Figure-8)
The MXL 990 HE remains one of the industry's most ground-breaking microphones. The first high quality condenser microphone to come into reach of working musicians, the MXL 990 HE has a FET preamp and a large diaphragm for truly professional sound quality in both digital and analog recordings. This revolutionary condenser microphone continues to astound artists with its silky, high end and tight, solid low and midrange reproduction.
The LCT 140 is an extremely versatile, easy-to-use, compact 2/3" back-electret condenser microphone that is perfectly suited for quality-conscious users. Its low-mass diaphragm delivers an exceptionally clear and natural sound, making it the perfect fit for acoustic instruments including drums and percussion.
The LCT 140's uniform cardioid pickup pattern effectively suppresses off-axis sound. Its linear frequency response and high dynamic range result in transparent and distortion-free sound recordings.
The LED display can optionally be switched on and off for better handling in different environments. In short, the LCT 140 is an extremely versatile all-round microphone.
ART M-Six Stereo package contains a matched pair of ART high performance M-Six Pencil Condenser microphones.
Ideal for capturing any stereo source with precision and accuracy, the M-Six has three position pad (at 0, -10 and -15dB) and three position -12dB /octave high pass filter (flat, 75Hz or 150Hz) ensures added flexibility when tracking critical sources.
An ultra compact proprietary shockmount ensures maximum isolation while holding the M-Six securely over the source. The rugged flat-black powder coat finish guarantees the ART M-Six keeps a low profile when used in live and broadcast applications.
(2) M-Six Cardioid Pencil Condenser Microphones
(2) Deluxe Custom Designed Compact Shock-mounts
Packaged in Rugged Aluminum Carry Case
Two M-Six Cardioid Pencil Condenser Microphones
Matched for Perfect Stereo Imaging
Ideal Microphone for Recording Critical Instrument Tracks
Wide Dynamic Range with Low Distortion Characteristics
Extremely Smooth Frequency Response with Controlled Presence
3 Position 0dB, -10dB & -15dB Pad Switches
3 Position Flat, -12dB/Octave at 75Hz & 150Hz LF Roll-Off Switches
Low Susceptibility to RFI and Electromagnetic Interference
Flat Black Low Reflectivity Powdercoat Finish
Deluxe Custom Designed Compact Shock-mounts Included
The Apex580 multi-pattern wide diaphragm condenser microphone is one of the most versatile microphones available for your studio toolkit. Three selectable polar patterns (cardioid, omnidirectional and figure-8), three position low frequency roll-off (selectable flat, 75Hz and 150Hz) and three position ( 0, -10 and -15dB) pad switch ensure the Apex580 can easily be applied to virtually any source.
The Apex580's is the ideal high performance microphone for solo vocals, but will also excel when used with solo brass or woodwind instruments, acoustic guitars or acoustic bass. The Apex580 excels anywhere superior sound quality is required, yet subtlety and clarity is paramount.
Controls on the microphone itself include a three-position pad switch, allowing distortion-free reproduction of extremely loud at-source signals, and a three-position low frequency roll off switch that reduces unnecessary low frequency interference. The included external heavy duty cradle-mount suspension virtually eliminates vibration and handling noise, while at the same time safely securing the microphone in any position needed during the recording process.
The Apex591 is one of the most versatile condenser microphones in the Apex line. Ideal for virtually any live sound, broadcast or recording application, the Apex591 operates on either internal 9-volt battery or phantom power where available.
Perfect for drum overheads, hi-hats, acoustic guitars, strings, brass or woodwinds the integrated thee position pad switch (0, -10dB and -20dB) as well as an 80Hz high pass filter ensure the Apex591 can be tailored to suit any sound source.
One of the most versatile microphones in any engineers' toolkit, the matched pair of Apex 185B multi-pattern pencil condensers are perfect for any application where perfect stereo imaging is required.
Ideal for use tight on drum kits and cymbals (when using the cardioid capsules), overhead on drum kits (when using the omnidirectional capsules) on acoustic guitars, stringed instruments, acoustic pianos, ambient vocals and brass or woodwind sections.
The cardioid capsules are generally used for live sound reinforcement or recording applications where wide dynamic range and good off-axis rejection is required. The omnidirectional capsules can be used in the studio or for live recording where off-axis rejection isn't an issue, and the engineer wants to limit proximity effect or needs a wider non-directional pickup pattern.
The Apex 185B has two switches on the microphone body. The -10dB pad switch allows the engineer to reduce the microphone's output when close miking high sound pressure souces like brass and woodwind instruments or when using the Apex 185B on drums or percussion instruments. The low-frequency roll-off switch allows the user to reduce low frequency 'clutter' in the audio signal at the source, making for cleaner recorded tracks with increased presence and definition.
The matched pair of Apex 185B come with IMC-9 shockmount cradles to better isolate the capsules when using the microphones for most delicate recording or live sound reinforcement applications.
With an extended top end presence, smooth mid range, and full low end, this versatile microphone delivers accurate and natural sound reproduction.
The OSM-800 is flexible enough to capture demanding sound sources yet it bears an attractive price tag, making it ideal for both commercial and home studios alike. Complete with a 1” diaphragm and built-in FET preamp, the OSM-800 is a sound choice for vocals or a wide range of acoustic instruments, whether on stage or in the studio.
Features a bass roll-off switch under the cover. Carrying case included.
TASCAM’s TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality.
Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio.
The Apex787 delivers natural tone and the stunning realism of classic vintage ribbon microphones, with the advantages of an increased overall output and more consistent frequency response when used with various mixers and microphone preamps.
The integrated active electronics of the Apex787 deliver higher output than a classic ribbon design, rivalling the levels of any side address studio condenser microphone. Unlike a dynamic ribbon mic design, the Apex787's overall tone is less affected by the variable impedance of the input channel or preamp.
This innovative design makes the Apex787 the ideal solution for any critical recording where the tone of a ribbon microphone is preferred, but the reliability, output and performance of a condenser microphone is required.
The asymmetrical figure-8 pickup pattern has an extended sweet spot on the rear face of the microphone allowing the recording to accurately reproduce the natural space and ambient reverberation of a good sounding live room.
The microphone's chassis is precision-tooled aluminum alloy with a dent resistant stainless-steel wire-mesh windscreen. The included shock-mount virtually eliminates vibration and handling noise, while at the same time safely securing the microphone in any position needed during the recording process.
The Apex787 includes a vintage yoke-style microphone standmount and ships in aluminum carry case.
Apex787 Active Ribbon Microphone
Attached Vintage Yoke-Style Standmount
Aluminum Carry Case
Active Ribbon Microphone
Classic Ribbon Tone with Increased Output and Added Impedance Stability
Dual ribbon Construction for Increased Sensitivity
Wide Figure-8 Polar Pattern
Integrated Yoke Style Stand Mount
Requires Phantom Power to Operate
Operating Priciple:..........Active Ribbon
Output Connection:...........3-pin XLR-M
Frequency Response:..........20Hz -18kHz
Pantom Power Requirements:...48V DC, 3.0 mA typical
Max SPL:............150dB SPL, 1kHz at 1% T.H.D.
Dimensions:..................3.9 x 8.6 in
Sensitivity:.................-39dB (7.9 mv) dB re 1V at 1 Pa
Finish:......................Black Powdercoat w/ Black Chrome Accents
The LCT 240 PRO is an extremely versatile cardioid condenser microphone designed for everyone who’s eager to take the next step in professional recording.
Equipped with a high-performance condenser capsule it enables clean, modern, and detailed recordings. To accomplish an intimate and direct sound, especially on vocals, we have added a boost on the airy frequencies.
The sturdy, compact and streamlined housing comes in chilly white and classic black.
Be prepared for fantastic results on vocals, acoustic instruments, amplifiers, drums, piano, … - at home, in the studio and on stage - fast and uncomplicated.
Designed with a tailored frequency response for superior reproduction, the Shure PGA27 PG side-address condenser microphone features a large cardioid diaphragm, highly durable design and construction, and a high SPL threshold for clearly capturing a wide variety of vocal, acoustic, and amplified sources. Versatile for use in both recording and live performance. Phantom power required.
Shock mount for set-up stability and mechanical noise reduction
Padded zipper case for additional protection
Large diaphragm cartridge provides wider dynamic range for clear highs and strong lows
Cardioid polar pattern picks up audio from the source while rejecting unwanted noise
Updated industrial design with black metallic finish and grille for unobtrusive visual presence
High-pass filter for additional control of unwanted low-end signal
-15dB switchable attenuator for additional SPL versatility
Type: Electret condenser
Frequency Response: 20 Hz to 20 kHz
Polar Pattern: Cardioid
Output Impedance: 115 Ohms
Sensitivity at 1 kHz, open circuit voltage: -35dBV/Pa (17.8 mV) 1 Pa=94 dB SPL
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Weight: 16 oz (453 g)
Connector: 3-pin professional audio male XLR
Operating Temperature: -20 to 165 °F (-29 to 74 °C)
The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios.
Equally at home with digital and analog recording devices, the two included studio condensers deliver remarkable specs and superior build. The critically acclaimed AT2020 side-address condenser is ideal for vocal and instrument applications, while the new AT2021 small-diaphragm condenser is a natural for acoustic instruments, overheads, hi-hat and piano.
Audio-Technica’s stringent quality/consistency standards set both microphones apart from other mics in their class.
Each offers a wide dynamic range and handles high SPLs with ease. An innovative pivoting stand mount is included along with a microphone clip and protective pouches.
An unmistakable stage icon for decades, the Shure 55SH Series II Unidyne® Vocal Microphone features a signature satin chrome-plated die-cast casing for pure vintage look and feel with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.
The 55SH Series II microphone has a cardioid (unidirectional) polar pickup pattern that minimizes sound pickup from the rear of the microphone. This allows the Model 55SH Series II to be used in close proximity to loudspeakers without creating feedback problems, and it can perform under adverse acoustic conditions where omnidirectional microphones cannot.
55SH Series II: Includes Swivel Stand Mount, On-Off Switch. Cable not included.
Classic appearance, modern performance
Frequency response tailored for speech, vocals and instrumental music
Cardioid directional pattern for optimum performance in adverse acoustic environments
The Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, Supercardioid polar pattern, vibrant blue foam, and tailored frequency response for natural vocals and speech. Integrated, swivel stand mount is included.
The combination of updates make the Super 55 the ideal choice when looking for a dramatic - yet affordable - improvement in sound quality with an unmistakable vintage design.
Ideal for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.
Iconic chrome-plated design with vibrant blue color additions
Tailored frequency response for natural vocals and speech
High gain-before-feedback and excellent off-axis rejection
Shock-mounted cartridge minimizes handling noise and ensures quiet operation
Rugged die cast casing for reliability under rigorous conditions
Self-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward
Based on the original Spark, the world’s best-selling studio condenser microphone, Spark SL excels at delivering detailed and transparent sound to your recordings with a new level of versatility and sound quality.
Featuring a new streamlined build, refined sonics and versatile switches, Spark SL will transform your creative space into a professional studio.
Inside the Sound At the heart of Spark SL’s sound is Blue’s custom JFET design, which ensures the capsule’s backplate is evenly charged, delivering consistent, transparent sound at all times. Spark SL also features discreet Class-A circuitry to maintain a pure signal.
All you have to do is add music—Spark SL will make sure every detail comes through with precision and finesse. Switch to Versatility Spark SL features a new 100Hz high-pass filter and -20dB pad to bring professional versatility to your recording sessions.
Tracking a strong, dynamic singer or blisteringly loud amp? No problem. Want to capture the nuanced frequencies of strings, drum overheads or horns? Done. Spark SL’s incredible flexibility makes it easy to capture the detail of any voice or instrument.
Spark SL Microphone
Wooden Storage Box
Acoustic & Electrics Guitar
Saxophones, Flutes & Reeds
Violin, Viola, Cello
Transparent sound with superb detail and rich harmonic content
Custom-designed cardioid condenser capsule captures your most creative moments
High-pass filter and -20dB pad for ultimate versatility