The all new ART Digital MPA-II delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48v phantom power and features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The Digital MPA-II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

The input section of the Digital MPA-II operates at either a low or high plate voltage applied to the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays, with average or peak hold, show tube gain and digital output levels.

In addition to XLR and 1/4″ analog outputs, the Digital MPA-II features a high quality A to D converter which offers digital connectivity on S/PDIF, ADAT, or AES/EBU outputs. A rotary control on the front panel allows selection of format and sample rates from 44.1 to 192 KHz and 16 bit dithering. There is also a push button for, and two wordclock jacks, allowing loop-through.

The Digital MPA-II comes in a standard 2u space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel.

Includes

• ART Digital MPA-II
• User Manual
• Power Cord

Features

• Variable Input Impedance For Flexible Microphone Voicing (150 ohms To 2400 ohms)
• Large VU Meters
• Discrete Class-A Input Microphone Preamplifier
• Additional Front Mounted Instrument Input Jack
• Extremely Low Total Harmonic Distortion (THD)
• Operates at +4dbm/-10dbv Output
• Automatic Instrument Input Selection
• 44.1K, 48K, 88.2K, 96K, 176.4K, 192K Internal sample rates
• Wide dynamic range A/D
• Separate analog and digital output level controls
• ADAT optical I/O
• Switch selectable optical output (S/PDIF or ADAT)

Specifications

• Analog Section

• Frequency Response.......................
• 15Hz to 48 kHz (+0, -1dB) @ normal plate voltage
• ....................15Hz to 120 kHz (+0, -1dB) @ high plate voltage
• Dynamic Range:............................... >110dB (“A” weighted)
• CMRR:.........................................................>90dB
• THD:..............................................<0.005% (typical)
• Equivalent Input Noise:.................-129dBu (XLR, “A” weighted)
• Maximum Input Level:................................+19dBu (cannon)
• Maximum Instrument Input:....................................+17dBu
• Input Impedance:..................150-3000 (Omega) adjustable (XLR)
• ..........................................800k (Omega) (Instrument)
• Output Impedance::...............................< 47 (Omega) (XLR)
• Maximum Gain:..................................................75dB
• Meter Calibration:..................0 VU = +4dBu output (+4dB mode)
• ..................................0 VU = -10dBV output (-10dB mode)
• High Pass Filter:.................single pole, 10-200 Hz adjustable

• Digital Section

• A/D Frequency Response:.......@44.1KHz: 10Hz to 21.25KHz (+0, -1dB)
• ..............................@88.2KHz: 10Hz to 42.50KHz (+0, -1dB)
• ...................................196KHz: 10Hz to 81KHz (+0, -1dB)
• A/D Dynamic Range:....................>112dB “A” weighted (typical)
• A/D Input Sensitivity:...................................+12dBu min
• A/D Insert Input Impedance:............................>10k (Omega)
• Power Requirements:............................USA – 105 to 125 VAC
• Dimensions:...........................(HxWxD in) 3.50 x 19.0 x 8.75
• Dimensions:................................(HxWxD mm) 88 x 482x 222
• Weight:..........................................(lb/kg) 10.5 / 4.7

The ART USBMIX4 Microphone, Instrument, and Line Mixer/Computer Interface is a compact versatile audio interface for your computer that converts analog signals from a variety of audio sources to a digital signal that your computer recognizes. It can also be used as a stand-alone mixer through the main mix outputs.

The USBMIX4 provides a great starting point for personal home studio recording or for anyone wants to do mobile location recording. Use the USBMIX4 to record pod casts, capture your latest idea for a song, make voiceovers for your home movies, or record a jam with a friend - whenever and wherever your creativity takes you!

Includes

• USBMix4 – Four Channel Mixer / USB Audio Interface
• Power Supply
• User Manual

Features

• High Performance Low Noise Design
• Assignable USB Record Source
• 1/8" Headset Connectors (Mono Mic In and Stereo Headset Out)
• Switchable +48v Phantom Power (CH1 & CH2)
• Independent Level Controls for Main and Headphone/Monitor Outputs
• Operates on USB Power or 5VDC External Power Supply (Included)

Specifications

• Input Connections............XLR & ¼' Balanced Combi-jack (CH1 & CH2)
• ..............................................................1/4" TRS Balanced (CH3 & CH4)
• .....................................................1/8" TRS Aux/MP3, 1/8" Headset Mic
• Output Connections.....................1/4" TRS Balanced Main Mix Outputs
• .............................................1/4" TRS Stereo Output & Monitor Outputs
• .......................................................................1/8th-inch Headset Output
• Signal to Noise Ratio.......................................>90dB Typical (Ref 0dBu)
• Maximum Input Level........................... +8dBu(Mic), +16dBu (1/4" Input)
• Maximum Output Level....................................+15dBu Main Mix Outputs
• Maximum Gain..............>55dB(Mic),>37dB (Instrument),5dB (CH3 & CH4)
• USB Interface................... USB Class Compliant plug-and-play Mac/PC
• Power..............................................................Via USB or 5VDC @ 500mA
• Dimensions...........................................................1.75″H x 5.1″W x 7.5″D

The all-tube 610 Console Mic Preamp sound in a rugged, “go anywhere” design.

The SOLO/610 delivers the classic Putnam 610 tube console sound in a portable,highly versatile mic preamp design. It provides the silky, vintage warmth of the original console’s mic amp design, and will flatter and enhance any microphone or instrument with its iconic tones.

Thanks to its convenient form factor, the SOLO/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO/610 maintains the character of the 610 console — at a price every serious project studio can afford.

Now You Can:

Record through the classic tube circuit of the Putnam 610 console mic preamp and DI

Sculpt signals with Gain, Level, and Impedance controls for maximum tonal variety

Add tube girth and detail to any mic

Craft your sounds with classic UA tube circuits, hand-built in the USA

Vintage Tones, Modern Workflow

The SOLO/610 offers Mic and DI inputs, and Gain and Level controls for myriad clean or colored sounds. Unlike its predecessors, the SOLO/610 has continuous Gain control with even greater range, allowing for precise gain structuring. The SOLO/610 has all of the essential features of a professional mic pre, including 48v Phantom Power, Lo-Cut filtering, Phase Reverse, and flexible dual impedance selection for both Mic and DI inputs. The SOLO/610 also includes essential DI features like Thru use in conjunction with an amplifier, plus Ground Lift and a versatile Mic/Line level output switch.

Features

Classic Putnam 610 console mic preamplifier and DI
Legendary all-tube sound, at a project studio price
Gain, Level, and Impedance selection for maximum tonal variety
Portable design for studio, desktop or stage
Rugged construction-steel chassis
DI features include Thru and Mic/Line level output
Hand-built in USA; backed by 1-year limited warranty

Specifications

Input Impedance
Mic Input - Selectable 450 ohms (Lo-Z) or 1.6 kilohms (Hi-Z)
DI Input - Selectable 2.2 megohms (Lo-Z) or 50 kilohms (Hi-Z)

Output Load Impedance
20 Hz to 20 kHz +/- 1 dB

Maximum Gain
61 dB

Tube Complement
(1) 12AX7, (1) 12AT7

Maximum Mic Input Level
-12 dBu, 1.0% THD+N Ratio

Maximum Instrument Input Level
+4 dBu, 1.0% THD+N Ratio

Maximum Gain Mic Input
55 dB (1.6K ohm input), 60 dB (450 ohm input)

Mic/Instrument In Frequency Response
20 Hz to 20 kHz, +/- 0.1 dB

Maximum Gain Instrument Input
37 dB

Dimensions
L: 14"
W: 5 3/4"
H: 5"

Weight
9 lbs.

Includes

• 1 ART Tube MP studio V3

Applications

• Stage
• Studio

Features

• Dynamic range of: 100dB
• Frequency response of: 10Hz-2Khz
• Uses Phantom Power

Specifications

• 5" x 5.5" X 2"
• 1.5lbs

Overview The ART Tube Mix provides a compact versatile audio interface. The Mixer supports two mic inputs, one high Impedance Instrument input, and two line inputs simultaneously. The Tube can be assigned to act as a dual channel tube mic preamp, or stacked and applied to the Instrument input for added warmth and tone with guitar or bass.

TubeMix Applications: All input channels = fully featured with 3-band EQ, two aux sends, pan and level controls Select inputs include input trim control and clip indicators for optimum level setting High impedance instrument input has an amp simulation function Versatile output section allows separate stereo monitor mix on the main buss while recording the via aux buss, or vice versa if required

Flexible Control Room/Headphone section allows routing to monitor the main mix, USB input and aux sends for maximum flexibility Authentic VU meters and wood side panels add to the great vintage look and feel of the USB TubeMix /p>

Includes

• TUBE MIX
• Power Supply
• CD with drivers and Audacity Software

Features

• Fully Featured Tube Driven Five Channel Stereo USB Mixer
• Dedicated High Impedance Instrument Input with Amp Simulator
• Switchable Low Noise +48V Phantom Power for Condenser Mics
• Fully Featured Input Channels
• Two Wide Dynamic Range Low Noise Mic Preamp Channels
• 12AX7 Tube can be Applied to Either Microphone or Instrument Inputs
• Precise VU Meters and Wide Range LED Meters with Selectable Source
• Flexible Control Room / Monitor Section
• USB 2.0 compliant. No special drivers needed with most modern versions of Windows, Mac OS, and Linux

Specifications

• Input Impedance.........................................Microphone: 3.5k Ω
• ..................................................Line (CH1, CH2, CH3/4), 10k Ω
• ........................................................................CH5 (Inst.), 1M Ω
• Output Impedance............Main, Control Room (Balanced/Unbalanced), 150/100 Ω
• .....................................................................AUX Outputs, 150 Ω
• ......................................................................Headphones, 100 Ω
• Frequency Response.........................................20-100kHz + 1dB
• Maximum Input Level...............................CH1, CH2 (Mic), +9dBu
• ............................................................CH1 CH2 (Line In), +20dBu
• ................................................................CH3/4 (EQ Flat), +20dBu
• ...................................................................CH5 (EQ Flat), +16dBu
• .......................................................................AUX Return, +24dBu
• Maximum Output Level.................Main, Control Room (Balanced, Unbalanced), +20dBu/+17dBu
• ...........................................................................Aux Send, +20dBu
• ..............................Headphones, 100mW / Ch @ 300 Ω, 50mW /Ch @32 Ω
• Maximum Gain.........................LINE IN to Main output (balanced), +63dB
• .............................................CH 5 to Main output (balanced), 56dB
• .........................................CH3/4 to Main output (balanced), +30dB
• Equivalent Input Noise........Microphone (@max gain), 127dBu “C”wtd.
• ...................................................Line (@max gain), -105dBu “C” wtd.
• ...........................................Instrument (@ max gain), -112dBu “C” wtd.
• USBInterface......USB class compliant plug-and-play Mac and PC interface
• A/D,D/A..............16 Bit, 44.1 kHz or 48 kHz, USB selectable from computer
• Phantom Power...........Switch selectable, +48V DC, filtered, current limited
• Power Requirements........................................................18 VAC, 1000mA
• Dimensions...............................................................3.3″H x 7.8″W x 10.4″D
• Weight.............................................................................5.5 lbs
• Note.........................................................................0 dBu = 0.775Vrms

Get tube and solid-state sonics and everything in-between with this unique mic pre/DI.

The award-winning 710 Twin-Finity™ is a radical UA mic preamp design that combines both the classic retro warmth of tubes with the transient bite of solid-state, all in a 2U, half-rack unit. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.

Tone blending is continually variable between 100% tube and 100% solid-state, offering a practically infinite range of unique preamp tones, plus the ability to easily dial-in your own signature sound. There are lots of sensibly priced solid-state and tube preamplifiers out there, but the 710 Twin-Finity is the only one that offers the best of both worlds — as well as everything in-between — all in one box, and within reach of any serious project studio’s budget. Includes a 19" rack-kit for mounting one or two units.

Now You Can:

Harness the distinct sonic properties of tubes and solid-state in one unique preamp/DI

Unlock the potential of your mic locker with a powerfully versatile preamp

Blend between tube and solid-state sounds for myriad textures and tones

Easily track guitar, bass, or keyboards with the front panel 1/4“ Hi-Z instrument input

The Ultimate in Mic Pre Flexibility

The key to the 710 Twin-Finity’s sonic flexibility lies in its innovative circuit design, featuring a solid-state transimpedance input amp simultaneously driving separate, phase-aligned tube and solid-state gain stages, which are then summed to a single output. The mix between the 310 volt single-ended class-A triode tube stage and solid-state transimpedance stage is controlled via the "Blend Knob" labeled "∞". Blending is continually variable between 100% tube and 100% solid-state offering a practically infinite range of unique pre-amp tones and the ability to easily dial-in your own signature sound.

Drive for Days

Like all our other preamp designs, the 710 features dual gain-stage controls (Gain/Level) which can radically vary the amount of coloration and distortion by allowing you to crank up the input gain like a guitar amp. The VU meter features a unique "Drive" mode allowing you to see how hard you are driving the input stage.

Features

Twin-Finity™ Tone-Blending Mic/Line Preamp & Hi-Z Instrument DI
Dual-Path 310 volt Class-A Tube and Transimpedance Solid State Preamp
Phase-Aligned "Tone-Blending" of Tube and Solid State
Dual Gain Stages: Wire with Gain to Creamy to Crunchy
Discrete JFET DI with 2.2M ohm Ultra Hi-Z impedance
Monolithic Balanced Output Stage
70dB+ of gain, +48V Phantom, Pad(-15dB), Phase Invert, and Low Cut Filter(75Hz)
Output and "Drive" backlit VU metering
Portable, Rack-Mountable design for Studio, Desktop or Stage
19” Rack Kit Included
Front Panel Hi-Z Input (switched from Mic/Line automatically via Jack Detect)
Rear Panel XLR Mic Input, XLR Line Input and XLR Line Output
Universal Internal Power Supply
Heavy-Duty Metal Construction

Specs

Inputs
Microphone (Female XLR)
Balanced Line (Female XLR)
Unbalanced Instrument (1/4" jack) (D.I.)
Outputs
Balanced Line (Male XLR)
Tube Complement
12ax7
Pad
-15dB
High Pass Filter
75Hz
Maximum Power Consumption
160mA @120VAC, 20W
Power Requirements
100-240VAC
Dimensions
8.45W x 3.5H x 10.25D
Weight
5.25 lb
Impedance
Mic Input Impedance
2K ohms
Line Input Impedance
10K ohms
Hi-Z Input Impedance
2.2M ohms
Internal Output Impedance
600 ohms
Gain/Levels
Gain Range for Unit
-Infinity to 70dBu
Mic Range Gain Pot
10 ~ 60 dBu
Line Range Gain Pot
-10 ~ 40 dBu
Hi-Z Range Gain Pot
-10 ~ 40 dBu
Frequency Response
Mic Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Line Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Hi-Z Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Distortion
Min THD+Noise @ +4dBU
0.1% tube 0.005% solid-state

Includes

• AKG C 214 comes complete with carrying case, windscreen, and spider suspension mount included.

• Ultimate Support MC40B-PRO Stand

• ATH-M20X Closed-back Studio Headphones

• Focusrite Solo (2nd Gen) USB Audio Interface with Pro Tools | First

• Conquest Cables Lifetime Warranty: (1) XLR S2BN 20 with NEUTRIK Connectors

AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well.

The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.

Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch‐all in an elegant but rugged package. Besides, the C 214 will also work on low phantom power voltages from 12 up to 48 volts.

Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals.

The C 214 comes complete with carrying case, windscreen, and spider suspension mount included.

Polar pattern: Cardioid

Frequency range: 20 to 20,000 Hz

Sensitivity: 20 mV/Pa (-34 dBV)

Max. SPL: 136/156 dB SPL (0/-20 dB) (for 0.5% THD)

Equivalent noise level: 13 dB-A to IEC 60268-4 (A-weighted)

Signal/noise ratio: (A-weighted) 81 dB

Preattenuation pad: 0/-20 dB (switchable)

Bass cut filter slope: 160 Hz, 6 dB/Octave, switchable

Impedance: <=200 ohms

Recommended load impedance: >=1000 ohms

Supply voltage: 12 to 52 V Phantom power to IEC 61938

Powering: < 2 mA

Dynamic range: 123/143 dB (0/-20 dB) (A-weighted)

Connector: IEC standard 3-pin XLR

Finish: matte grayish blue

Dimensions: 160 x 55 mm (6.3 x 2.2 in.)

Net weight: 280 g (0.62 lbs.)

Shipping weight: 1450 g (3.22 lbs.)

The DUALXDirect provides two independent high quality active interfaces that let you connect instrument, line, or speaker level signals to a mixer or other balanced inputs. Each of the high impedance 1/4" and XLR inputs (provided via "combo" jacks) are buffered and converted by very low noise active electronics into an isolated, balanced, low impedance signal output. The DUALXDirect has an extremely flat and wide frequency response and can handle high signal levels. This gives the DUALXDirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The input ATTENUATOR switches allow for a wide range of signal levels and the input THRU jacks allow for tapping off of your signal chain. The GROUND LIFT switches let you totally separate the input and output signal grounds, when appropriate, to isolate two systems, thereby reducing hum and ground-loop noise.

The DUALXDirect''s active circuitry is powered by phantom voltage from the OUTPUT connections or by an internal 9V battery, when external power is not available. When powered by a battery, it draws less than 7.5 mA which should provide more than 100 hours of operation with a new battery (alkaline recommended). If phantom power is available, then the DUALXDirect will automatically draw its power from the external source. The POWER ON/OFF switch lights more dimly when the unit is running off of the battery, lights more brightly when it is running off of phantom power, and is off when the unit is inactive.

The compact black-anodized all aluminum case and it's active design allow the DUALXDirect to provide years of trouble free service in Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application. It's full feature set, rugged construction, and high-end specifications make the DUALXDirect the obvious choice.

Includes

• DUALXDirect Dual Professsional Active Direct Box
• Owners Manual

Features

• Fully Active Design
• Phantom Voltage or 9v Battery Powered
• Converts High-Impedance Balanced / Unbalanced Inputs Into 600 ohm Balanced Outputs
• Switchable input attenuation (0, -20, -40 dB) Switchable low pass filter
• Switchable phase invert
• Switchable ground lift (fully isolates inputs from chassis and outputs)
• ¼-Inch TRS | XLR Combi Jack Inputs
• Rugged Extruded Aluminum Case

Specifications

• Frequency Response:..........10 Hz - 100 kHz, ± 0.5 dB @ +0 dBu
• Total Harmonic Distortion:...............<.05% (typical)
• Dynamic Range:...........>100 dB (typical)
• Channel Separation:..........> 80 dB (typical)
• Maximum Input Level:...+4, +34 dBu
• Maximum Output Level:..........+6 dBu (battery powered), +14 dBu (phantom powered)
• Input Connections:...........¼-inch TRS | XLR female balanced / unbalanced (2), 470k Ω
• Thru Connections:......................¼-inch TRS (2)
• Output Connections:.................XLR male balanced (2), <600 li="">
• Input Attenuation:......................Switchable, (0, -30 dB)
• Power Requirements...............9V @ 7.5 mA (battery,Alkaline recommended),
• ................................18 - 48V DC @ 6.4 mA (phantom power, per channel)
• Dimensions....................1.85"H x 4.6"W x 3.9"D
• Weight........................ 0.84 lbs

Record whatever you want, whenever you want

The 18-in, 8-out USB interface is ideal for multi-instrumentalists, producers and small bands who want to record audio from a wide range of sources such as drums, guitars, keyboards and vocals. Focusrite's most comprehensive desktop interface, giving you four mic preamps, round-trip latency as low as 2.74ms*, class-leading sound quality, and two separate headphone outputs, so you can give different monitoring settings to two artists, or an engineer and artist. It's also expandable over ADAT.

Focusrite interfaces are perfect partners for Pro Tools, so Scarlett 18i8 comes with Pro Tools | First Focusrite Creative Pack, as well as Ableton Live Lite recording software and a suite of software and samples, so you can start recording straight away. Scarlett 18i8 works flawlessly with all major DAWs on Mac and PC, and we continue to work with Avid to ensure it is compatible with every update to Pro Tools.

Just the right size.

The AudioBox USB 96’s two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

Roadworthy and ready to travel.

Here is a mobile interface in the best sense of the term. The AudioBox USB 96 has a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it’s USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop.

World-class recording software included.

While the AudioBox USB 96 works with virtually all Mac and Windows audio-recording software, it comes with a free license for PreSonus’ Studio One^® Artist DAW, giving you a complete recording solution. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice.

Stop Wasting Time

Our easiest way to make pro recordings from home

You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett Solo Studio Pack gives you everything you need to easily make studio-quality music on PC or Mac.

Stop Wasting TimeEverything you need to make studio-quality recordings from home

You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett 2i2 Studio Pack gives you everything you need to easily make studio-quality music on Mac or PC.

Ideal for singer songwriters and guitar playerswho want to record studio-quality music

Scarlett Solo is Focusrite's simplest and most compact interface. It's ideal for singer songwriters and guitar players looking for the easiest way to record studio-quality music onto Mac or PC. Take it anywhere, connect by USB, plug a mic and guitar straight in, and immediately start recording with the same sound quality as the rest of the latest Scarlett range.

Sound Like You

Easily make recordings that sound exactly like you. Connect your microphone to the natural sounding Scarlett preamp, and plug your guitar straight into a newly designed input, both of which capture studio-quality audio that sounds just the way you intended. 48V phantom power means you can use any mic you want.

Record Guitar and Vocals Simultaneously

Record your guitar and vocals at the same time, onto separate tracks. If one doesn't sound right, you won't have to re-record both. You can also apply separate effects: amp simulation to your guitar, for example, and reverb on your vocal.

User Manual

Start Recording Today

Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.

You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station virtual synthesiser and 2GB of Loopmasters samples.

Scarlett 2i2 works flawlessly with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.

Record Absolutely Anywhere

Never miss another moment of inspiration. Lay down some ideas at a friend’s house, or record your next open mic night. Scarlett 2i2 is compact, lightweight and sturdy enough to take with you anywhere. You don’t need a power supply, either – just connect with a USB cable and start recording.

Sound Like You

Easily make studio quality recordings that sound just the way you intended. Connect your microphones, guitars and line level equipment to two newly designed instrument inputs, both with natural-sounding Scarlett preamps and 48V phantom power.

Download User Manual

Start Recording Today

Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.

You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.

Scarlett 2i4 works flawlessly with all major DAWs on Mac and PC, and all the included software is simple enough for beginners, yet sophisticated enough for advanced users.

Real Time Effects

Don’t let interface latency ruin your performance. Scarlett 2i4’s new super-low latency lets you enhance your recording or performance in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (subject to your software, settings and computer).

Download User Guide

The MVi connects any standard XLR microphone or ¼-inch plug for guitar, bass or keyboard to any iOS device, Mac or PC for seamless, high-quality audio capture. Compatible with iOS, Android, Mac, and PC devices.

Includes

• Shure MVI.
• USB and Lightning® cables.
• User Guide.

Applications

• Home studio recording.

Features

• 5 DSP preset modes.
• Headphone monitoring capabilities.
• Onboard touch panel controls.

The legendary SM57 cardioid dynamic instrument microphone is now available with the X2u USB Signal Adapter, which features built-in headphone monitoring with zero latency, and easy controls to balance microphone and playback audio.

Digitally record wherever and whenever your computer takes you - just plug and play for better-than-CD quality instrument reproduction.

Includes

• Shure SM57
• X2u Adapter
• Mic Clip
• Zipper Pouch
• USB Cable

Features

• SM57
• Dynamic microphone cartridge with tailored frequency response delivers clear reproduction of amplified and acoustic instruments
• Uniform cardioid polar pattern isolates the sound source while minimizing background noise
• Internal pneumatic shock mount minimizes handling noise
• Legendary construction and versatility for consistent performance under rugged use and abuse on stage or in the studio.

• X2u
• Plug and Play USB Connectivity allows the convenience of digital recording anywhere your computer can go (compatible with Windows 7, Vista, XP, 2000, and Mac OS X 10.1 or later).
• Integrated pre-amp with Microphone Gain Control allows control of input signal strength
• Zero Latency Monitoring for real-time playback and multi-tracking without disorientation
• Headphone jack for monitoring with 1/8” connectivity
• Monitor Mix Control for blending microphone and playback audio
• 16 bit, up to 48 kHz sample rate for better-than-CD quality audio

Specifications

• Operating Priciple:..........Dynamic
• Frequency Response:(SM57).40-15,000 Hz
• Frequency Response:(X2u).20-20,000 Hz(+/- 1dB)
• Polar Pattern:….Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency.

Any Microphone. Any Time. Any Where.

Use your favorite microphones to digitally record wherever and whenever your computer takes you with the X2u XLR-to-USB Signal Adapter.

Perfect for multi-track recording, the X2u features built-in headphone monitoring with zero latency, and easy controls to balance microphone and playback audio. Just plug and play for better-than-CD quality sound.

Includes

• X2u XLR-to-USB Signal Adapter
• USB cable (3m / 9.8ft)
• Padded Zipper Pouch

Applications

• Perfect for multi-track recording.
• Desktop or portable laptop studios
• Podcasting
• Instrumental and vocal tracking

Features

• Plug and Play USB Connectivity allows the convenience of digital recording, anywhere your computer can go (compatible with Windows 7, Vista, XP, 2000, and Mac OS X 10.1 or later)
• Provides +48V Phantom power
• USB cable (3m / 9.8ft) included for immediate use
• Record
• Monitor Mix Control for blending microphone and playback audio
• Headphone jack with volume control for monitoring
• Integrated pre-amp with Microphone Gain Control allows control of input signal strength
• Playback
• Zero Latency Monitoring for real-time playback and multi-tracking without disorientation
• 16 bit, up to 48 kHz sample rate for better-than-CD quality audio

Specifications

• Frequency Response:..........20 to 20,000 Hz +/- 1 dB
• Power Requirements:………..USB-powered, 500 mA, maximum
• Digital Noise Floor……..Minimum MIC GAIN setting: −81 dB FS
• Digital Noise Floor……..Maximum MIC GAIN setting: −78 dB FS
• (20 Hz to 20 kHz, A-weighted).
• Sampling Rate:………………up to 48 kHz
• Bit Depth:………………….16 bit
• Peak Signal Indicator (Tri-color):……………..
• OFF: −30 dB FS
• Green: −30 to −12 dB FS
• Yellow: −12 to 0 dB FS
• Red: >0 (digital converter clipped)
• Adjustable Gain Range:………………….40 dB
• Headphone Output:………..3.5mm (1/8 inch)

System Requirements

• USB:………….USB 1.1 or 2.0, powered
• RAM:………….64MB RAM (minimum)
• Operating System:………….
• Microsoft Windows 2000 Professional Japanese/English Edition
• Microsoft Windows XP Home/Professional Japanese/English
• Edition (service pack 1.0 or later, or use the USB audio driver update from Microsoft
• Microsoft Windows Vista™ Business Japanese/English Edition
• Apple Computer Mac OS X 10.0 or later English Edition
• Apple Computer Mac OS X 10.1 or later Japanese Edition (ForMac OS X 10.0 Japanese Edition, plug and play does not work appropriately)

Introducing the 2BA-221 continuously variable impedance microphone preamp from Summit Audio. Featuring microphone level, line level, and Hi-Z instrument inputs, the 2BA-221 utilizes separate and individually controlled solid state inputs to mix the microphone input with the Hi-Z or line input into the variable vacuum tube stage. Mix the signals through the 12AX7A/ECC83 vacuum tube output or output them separately through multiple solid state outputs.

The 2BA-221 also features a stackable input design; multiple 2BA-221’s can be linked together to form a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool.

Includes

• 2BA-221 Preamplifier
• Power Cord
• User Manual

Applications

• Professional Recording Studio
• Stage Performance
• Home Studio

Features

• Full-plate voltage matters: The proper amount of voltage to a tube and solid-state circuit can make all the difference in the quality of the sound. The 2BA-221 is made with the highest quality full-voltage tube and solid-state signal paths and the best components available. The 2BA-221 even has a separate, dedicated power source for its 48V phantom power, and does not draw current away from the main circuits.
• Let signal flow: Integrating the 2BA-221 into your studio or live rig is easy given the comprehensive selection of input and output options provided. We designed the connections of the 2BA-221 with creative options in mind.
• Variable tube output control: Another really cool feature is its variable tube output control, which provides access to a huge variety of tones, from clean solid state to rich harmonics and all sorts of variations in between. What a benefit to have one preamp and still have the advantages of many different sounds! The 2BA-221’s single 12AX7A Tube provides rich, warm tone and is easy to find and replace.
• Really well built: The Summit Audio design philosophy considers the entire package when it comes to crafting gear. We pay special attention to the details of construction and have included many refinements over the years so units are durable enough to handle the rigors of the road. That is one of the reasons why you will find Summit gear on tour with many of today’s top touring acts around the world.
• Hand-crafted in the USA: Each piece of Summit gear is meticulously crafted by hand in our shop using only the best quality components and attention to detail. Quality components and engineering know-how are the critical element to the sound and longevity of audio gear.

Specifications

• Size and Weight
• Height:1.75 inches (4.44 cm)
• Width:8.5 inches (21.59 cm)
• Depth:7.42 inches (21.59 cm)
• Weight:7 pounds (3.15 kg)
• Connections
• Mic Input: +4 dB female XLR
• Line Input: -10 dB 1/4" balanced
• Outputs: +4 dB male XLR and 1/4" -10 dB balanced
• Stacking Input/Output: -10 dB balanced
• Max input level
• Mic: -16dBu
• Line: 22dBu
• Hi-Z: 15dBu
• Input Impedance
• Mic: 1.5K ohms
• Hi-Z: 10K-1.75M ohms
• Output impedance (XLR): 150 ohms

The USB Dual Pre is a full-featured high quality dual portable preamplifier and computer interface packed into a compact rugged case.

It will work with the USB audio device drivers built into Windows 98SE/ME/2000/XP/Vista and Apple OS9.1/OSX computers with native USB support. No special drivers are needed.

*** Windows 7 Users - Please read this FAQ ***

Includes

• (1) ART USB Dual Pre PS
• (1) USB cable
• (2) 20' Microphone Cables terminated w/professional 3-pin connectors XLR-M x XLR-F
• Audacity Recording & Production Software

Applications

• Home Studio
• On Location Recording

Features

• USB Connectivity to Desktop and Laptop Computers
• Low Noise Fully Balanced XLR and 1/4-inch TRS Combi Inputs
• Up to 48 dB of Clean Gain
• Built-in Low Noise Phantom Power Supply
• Flexible 3-way Power from USB, External Supply, or 9 Volt Battery

Specifications

• Signal To Noise Ratio: Greater than 90 dB (Ref 0 dBu)
• Frequency Bands: 20 Hz to 20 kHz (0, -1 dB)
• Maximum Gain: +48 dB (balanced in-out)
• Input Impedance: Greater than 300 K ohms 1/4-inch, 4 K ohms XLR
• Maximum Output Level: +6 dBu in, +10 dBu out (balanced), +4 dBu out
• Input Connectors: XLR 1/4-inch TRS combi jack balanced/ / unbalanced
• Output Connectors: 1/4-inch TRS, 1/8-inch TRS headphone
• Total Harmonic Distortion: Less than 0.01% @ 1 kHz
• Phantom Power: Selectable +48 Volts DC
• Power: 7.5-12 DC @ 150 mA, USB bus or 9V Battery
• Construction: Aluminum black anodized with rubber sides
• Dimensions: (HWD inches/mm) 1.75 x 4.6 x 4.7 / 44.5 x 117 x 119
• Weight: 1.3 lbs / 0.59 kg