The D10 is a cardioid, moving-coil dynamic microphone specifically designed and carefully equalized for kick drum capture and reinforcement. Special attention has been given to enhancing “thump”, “crack” and “click” while reducing “boxiness”.
Although designed for kick drum, excellent results are also obtained when used on floor toms, electric guitar and electric bass cabinets.
The die-cast metal body and hardened protective steel screen provide rugged durability. Integrated swivel mount is included.
Packaged in a small, rugged, all-metal body, the C9 cardioid condenser microphone is designed primarily for overhead drum miking.
The cardioid polar pattern focuses sensitivity to the front of the microphone while minimizing sources arriving from the rear. Transformerless line-driver circuitry improves transient agility while maintaining phase alignment for clear detail.
The integral polymer isolation mechanically decouples the capsule from the body minimizing acoustical conduction from the floor through the mic stand.
Although designed for drum overheads, the C9 also excels when used on classical stringed instruments, acoustic guitars, and folk instruments.
Shock-isolating swivel mount is included. P12 (12V), P24 (24V), or P48 (48V) phantom power is required.
The new upgrade from the older technology CM 217.
CAD C9 Microphone
Small, rugged design
Phantom Power Requirements:...Phantom Power 12-48V 2.2ma
The D29 is a cardio id, moving-coil dynamic microphone specifically designed for the capture and reinforcement of tom-tom drums and other acoustic percussive instruments.
The cardioid polar pattern provides off-axis rejection crucial for on-stage clarity. Although designed with percussion in mind, excellent results are also obtained when used on on most electrical and acoustical instruments.
The integrated drum clip is designed to facilitate rapid, optimal placement.
Looking for a USB mic set to record onto your computer? This set works great for Pod casts, live applications or recording purposes and comes with a desk stand plus a pop filter to assist with all of your recording needs.
Record directly to your computer!
(1) U37 Studio USB Condenser Microphone w/desk stand
(1) 10' USB Microphone Cable
Record studio-quality audio directly to your computer
Excellent for vocals and instruments
Pod-cast over the Internet
Create your own audio for video
Record your own songs
Simply plug in and start recording
Windows and Macintosh compatible
Features & Benefits
Large condenser microphone element for warm, rich recordings
Cardioid pick-up pattern minimizes background noise and isolates the main sound source
Smooth, extended frequency response is excellent for singing, speech and instruments
-10dB overload-protection switch minimizes distortion from loud sound sources
Bass-reduction switch reduces room noise
Side-address design used by broadcast, TV and recording studios
Ten-foot USB cable for flexible mic placement
Desktop mic stand included
Studio Vocals, Speech, Instruments, Pod-casts, Desktop Recording
The D19 is a supercardioid, moving-coil dynamic microphone specifically designed for the capture and reinforcement of snare drum and other acoustic percussive instruments.
The supercardioid polar pattern provides off-axis rejection crucial for on-stage clarity. Although designed with percussion in mind, excellent results are also obtained when used on on most electrical and acoustical instruments.
The integral drum clip is designed to facilitate rapid, optimal placement.
CAD D19 Microphone
Integral Mic Clip
Electric and Acoustic Instruments
Smooth Presence Peak
Integral Mic Clip
Phantom Power Requirements:.........None
Dimensions:..........................3.48" x 1.65"
Sensitivity:.................-56dBV (1.5mV) @ 1 Pa
We think you'll like everything this microphone set has to offer!
This is a must buy for anyone interested in using for live applications or recording purposes, without breaking the bank. While most offer only the GXL2200 for this price, we also include a boom stand, pop filter and 25 ft cable as well.
If you have wanted to purchase everything for one great price, now is the time to buy!
(1) GXL2200 Cardioid Condenser Microphone
(1) JamStand JS-MCFB100 Fixed Boom Mic Stand (Black)
(1) Pop Filter
(1) 20' Microphone Cable
(1) Shock mount & mic clip are included.
30 Hz to 20 kHz
-36 dBV (16 mV) @ 1 Pa
100 Hz, 6 dB/oct
P48, 3 mA
3 pin XLR type
Studio Vocals, Voice-over, Choir, Acoustic Instrument, Strings, Piano, Cymbals/Overheads.
Generally considered to be the ideal microphone for vocals, solo instruments and any broadcast application, the classic ribbon microphone design boasts the most natural sounding audio capture available.
The active element of the Apex 210B is a very thin corrugated aluminum ribbon mounted under low tension between the poles of a strong magnet. The asymmetrical figure-8 pickup pattern has an extended sweet spot on the rear face of the microphone allowing the recording to accurately reproduce the natural space and ambient reverberation of a good sounding live room with incredibly fast and accurate transient response and stunning realism. The Apex210 ribbon microphone is ideal for todays direct to digital recordings.
Although ribbon microphones are by their nature extremely fragile, the Apex 210B can handle high sound pressure levels approaching 165dB range. The low-tension 2-inch long, 2-micron thick aluminum ribbon design offers audio reproduction with smooth, natural extended low and high frequency response. The Apex210B comes in an all new black and smoked chrome finish, and is shipped with a custom designed aluminum carrying case.
The MXL 606 instrument microphone delivers the sound you are looking for when recording snare drums, high-hat cymbals, acoustic guitars, pianos, percussion, stringed instruments and more. Using transformerless FET circuitry and a gold-sputtered diaphragm capsule provides a clean and clear tone.
The 606 also features a -20 dB switchable attenuation pad and low-frequency roll-off.
MXL 606 Small Diaphragm Condenser Instrument Microphone
Mic Clip and Aluminum Carrying Case
Stringed instruments and more
Small-diaphragm instrument mic with a warm, detailed sound
Transformerless FET circuitry for clean, clear recordings
Bass roll-off and attenuator to fit any recording situation
Excellent detail in the midrange and at the top end
The ASTATIC 119L Series are dynamic cardioid microphones, designed especially for gooseneck mounting in quality sound reinforcement and communication installations. These microphones have a slightly rising high frequency response and a gentle low frequency roll-off, assuring excellent voice reproduction.
A superior cardioid directional pattern minimizes feedback, background noise, reverberation, offaxis coloration and placement problems. A new internal vibration isolation system, consisting of a special rubber mounting ring and a rubber stabilizing ring as a support for the generating element, reduces gooseneck, stand and handling noise. An effective multi-stage blast filter controls breath "pop" and wind disturbances. Available as a 119L (chrome), 119LB (black) and 119L-19 (as shown).
The 119L Series has low impedance outputs. The 119L-19 is supplied with 1.7m (5.5ft), the 119L and 119LB with 2.1m (7ft) of rugged two conductor shielded cable. The 119 Series microphones are extremely rugged and reliable and will stand up under the most strenuous handling conditions to provide years of dependable service.
CAD 119L-19 Microphone
19" heavy-duty gooseneck
2 3/4" flange
Polished chrome finish
Operating Principle:.........Moving Coil Dynamic
Output Connection:...........Balanced, two wire, unterminated
The 119S19 is a dynamic cardioid microphone, designed especially for gooseneck mounting in quality sound reinforcement and communication installations. A slightly rising high frequency response and a gentle low frequency roll-off, assures excellent voice reproduction.
A superior cardioid directional pattern minimizes feedback, background noise, reverberation, off-axis coloration and placement problems. A new internal vibration isolation system, consisting of a special rubber mounting ring as a support for the element, reduces gooseneck, stand and handling noise. An effective multi-stage blast filter controls breath “pop” and wind disturbances.
The 119S-19 has a high quality push-to-talk switch. The 119S-19 has a low impedance output and is supplied with a 1.7m (5.5ft.) of rugged two conductor shielded cable. The 119S-19 is extremely rugged and reliable and will stand up under the most strenuous handling conditions to provide years of dependable service. Available in 19-inch heavy duty chrome gooseneck.
We've included a pop filter and 20' cable when you purchase this mic!
Borne of precious metal and pure electricity. Tune two golden membranes intimately across polished bass and inject electrons with oscillatory high tension. Drive emotion across copper and iron by field-effect detection. Wrap it in Faraday's cage to conceive the GXL3000. Live all three polar patterns as you align space and tone. Features include hi-pass filter and attenuator. Elastic shock mount and protective pouch are included. P48 (48V) phantom power is required.
Studio Vocals, Voice-over, Choir, Acoustic Instrument, Guitar Cabinets, Bass Cabinets, Piano
The 611L is designed for hand-held applications in quality sound installations. The frequency response, especially tailored for voice communications, provides a crisp, clear, highly intelligible sound.
Integral DPDT Switch
Operating Principle:Moving Coil Dynamic
Frequency Response:200 Hz to 6.5 kHz
Sensitivity:-56 dBV (1.6 mV) @ 1 Pa
Cable:Four conductor, two shielded, permanently attached, heavy duty, neoprene jacketed coil cord that extends to 1.8 m (6 ft.)
Switch:Operated by press-to-talk lever, 2PDT long life, trouble free switch with spring return. Wired normally open.
Housing:Durable molded black Cycolac
Dimensions:100mm (3-15/16") high x 75.4mm (2-3/32) wide x 54.8mm (2-5/32") deep
The linear frequency response and omnidirectional polar pattern of the Apex220 allows you to carry out measurement and alignment tasks with ease and precision. It is the ideal measurement microphone for use with any real-time analyzer or other audio test equipment. The Apex220's rugged construction ensures years of reliability.
Note: A linear measurement microphone is, by design, meant to have a very flat frequency response and may not yield the best results when used as an audio source microphone for live or recording applications.
The AMC105-2 is a dual zone omnidirectional microphone designed especially for fixed or gooseneck mounting in quality sound installations. A smooth, wide band frequency response with a slight intentional "presence" boost at 2000 Hz gives a "natural", crisp, highly intelligible sound.
Two DPDT sealed micro switches, with color coded buttons for easy identification, permits paging in two areas, and an all-call features obtained by depressing both buttons simultaneously.
The AMC105-2 is extremely rugged and reliable, and will stand up under the most strenuous handling conditions to provide years of dependable service, supplied with a 5/8-27 mounting thread, 2.1m (7ft.) of rugged, synthetic jacketed four conductor, two shielded cable.
Black Cycolac cap, chrome plated screen and black Cycolac housing. A removable set screw is used to secure the front cap to the microphone housing and microphone to the gooseneck.
Low Impedance, normally open
Output Connection:...........Bare Wire
Frequency Response:..........50-13 kHz
Pantom Power Requirements:...None
Impedance:...................400 ohm nominal
Dimensions:..................1 3/8" x 4 9/16" plus gooseneck
The MXL CR77 is a dynamic stage microphone blending a vintage style with modern design elements both inside and out. Behind the grill, an integrated foam windscreen filters out plosives and wind noise while the super cardioid polar pattern focuses on sound directly in front of the mic while rejecting extraneous sounds for clear vocals.
The CR77 is designed as a live stage mic, but like most dynamics, it's right at home in studio recording use. The CR77 has a built-in shock mount to reduce noise from floor vibrations common in live performances and the stylish and rugged grille offers protection from bumps along the road.
The adjustable yoke screws on to any standard mic stand. The CR77 includes a rugged aluminum flight case and microfiber cleaning cloth. Rugged, retro, and road ready, the CR77 is the step up from handheld live mics.
Integrated Adjustable Yoke
Aluminum Flight Case
Microfiber Cleaning Cloth
Designed for live stage music
Dynamic microphone designed for live vocals
Internal windscreen and shockmount reduce unwanted noise
Super cardioid pickup pattern rejects ambient sound
Rugged construction for durability
Stunning black and chrome body for stage appeal
Polar Pattern:……………Super Cardioid
Output Connection:….....……..3 pin XLR
Pantom Power Requirements:........…NA
Dimensions:.......................2.56 in x 7.09 in
Sensitivity:.......................-52 dB re 1 V/Pa
The Astatic Model 878HL is a dual impedance, omindirectional dynamic desk microphone. A rugged Cycolac housing is rugged enough for industrial and commercial public address and paging applications.
The Model 878HL has a slide switch for low or high impedance selection.
The wide band frequency response is smooth and peak free, with a slight rise above 2K Hz to give that "natural" highly intelligible sound.
Integrated long-life DPDT professional leaf switches allow relay operation with your choice of either a simple push-to-talk bar with locking capabilities, or lift-to-talk operation, to give years of dependable, trouble free performance. The lift-to-talk operation can be disabled with a slide switch located under the microphone base.
The 878HL is manufactured to take normal abuse and retain its performance over a long life. Four molded "feet", non-skid, non-marring, permanently resilient, are located under the zinc die cast base.
Supplied with 2.1m (7 ft.) of four conductor, two shielded cable, the Model 878HL microphone circuit is wired normally open.
One of the most versatile microphones in any engineers' toolkit, the matched pair of Apex 185B multi-pattern pencil condensers are perfect for any application where perfect stereo imaging is required.
Ideal for use tight on drum kits and cymbals (when using the cardioid capsules), overhead on drum kits (when using the omnidirectional capsules) on acoustic guitars, stringed instruments, acoustic pianos, ambient vocals and brass or woodwind sections.
The cardioid capsules are generally used for live sound reinforcement or recording applications where wide dynamic range and good off-axis rejection is required. The omnidirectional capsules can be used in the studio or for live recording where off-axis rejection isn't an issue, and the engineer wants to limit proximity effect or needs a wider non-directional pickup pattern.
The Apex 185B has two switches on the microphone body. The -10dB pad switch allows the engineer to reduce the microphone's output when close miking high sound pressure souces like brass and woodwind instruments or when using the Apex 185B on drums or percussion instruments. The low-frequency roll-off switch allows the user to reduce low frequency 'clutter' in the audio signal at the source, making for cleaner recorded tracks with increased presence and definition.
The matched pair of Apex 185B come with IMC-9 shockmount cradles to better isolate the capsules when using the microphones for most delicate recording or live sound reinforcement applications.
Cloud 44-A Active Ribbon Microphone With switchable response curves for voice and music. Hand crafted in Tucson, AZ USA Made in the U.S.A
Modern technology elevates a classic sound From direct RCATM lineage, the Cloud 44-A microphone reawakens the spirit of the classic RCA Type 44 ribbon mic for today?s applications. Internally within the Cloud 44-A, the ribbon itself remains unchanged, handcrafted to specifications first prescribed in the 1930s by RCA's Harry F. Olson. Everything else has been engineered anew, however, using 21st century improvements transcending the capabilities of Olson's time. Utilizing Cloud?s award-winning, patented Cloudlifter circuitry with its unique features and ultra-clean characteristics, the 44-A is an active ribbon mic with personality from the past plus all the strength and clarity required for today?s most demanding tasks.
"Old school tube mellow" is often used to describe the sound of the V67G. Designed mainly for vocals, the V67G combines Class A FET circuitry and a transformer-coupled output for an open and pure sound. The V67G comes through with killer vocals even in front of a busy mix and has great stage appeal with a gold-plated round grill and distinctive, vintage body. You'll be amazed by the sound this cleverly-designed microphone provides and pleasantly pleased with the price.
The legendary Shure SM58® vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A unidirectional (cardioid) pickup pattern isolates the main sound source while minimizing unwanted background noise.
Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.
Shure SM58-LC Microphone
Mic Stand Adapter and Zipper Pouch
Frequency response tailored for vocals, with brightened midrange and bass rolloff
Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
Pneumatic shock-mount system cuts down handling noise
Effective, built-in spherical wind and pop filter
Supplied with break-resistant stand adapter which rotates 180 degrees
Legendary Shure quality, ruggedness and reliability