This heavy-duty Platinum Series stand from On-Stage is built for truly professional use. Heavily built, it features a zinc diecast leg housing and clutch, a 5/8"-27 solid threaded upper shaft, and a scratch-resistant finish.
A new ergonomic center clutch grip, coupled with an anti-rotating device on the lower shaft, makes for easy one-hand height adjustments. Allen nuts and bolts in the leg housing allow for tension adjustments.
Heavy-Duty Tripod Microphone Stand
Ergonomic Center Clutch Grip
Anti-rotating Device on Lower shaft
One-hand height adjustments
Allen-nut tension adjustment on legs
Diecast Leg housing and Clutch
Construction.........................Steel and zinc
The universal VESA mount is designed so that it may stay mounted to the screen at all times for easy removal and replace on the fly. The mounting plate is pre-drilled to be compatible with both 100 x 100 and 200 x 200 VESA hole patterns.
Sturdy tripod feet branch out from the base for a solid stance. When you are not using your stands, conveniently fold and collapse the feet into a compact unit ready for transport or storage.
Your setup stays firmly planted by utilizing the built-in leg locks at the base of the stand. Simply fold into position once the tripod legs are extended for added stability and prevent toppling when screen is attached.
VESA Mount For Universal Mounting
LiftEEZ Self-Rising Center Tube Piston Helps Lift LED/LCD For You
Heavy Duty Steel Construction
Min / Max Height: 50/73 Inches (1270/2032mm)
Red Safety Trim On Feet (Removable)
Easy Release For One Person Operation
VESA mount is compatible with both 100x100 and 200x200 hole patterns
There are many reasons to have five guitars, and they are all excellent! The new GS7561 is a cost effective way to display a combination of electric and acoustic instruments on stage, in the studio, or at home. Guitars line up in single-file leaning against a padded yoke and cradled by a padded base. Access is unobstructed and instantaneous. The wide rectangular base is stable no matter how many slots are full. And, like you'd expect from On-Stage Stands, portability is built into the design. The backrest folds downwards, making a lightweight, low profile bundle for easy transport.
The DM1 DYNAMITE: Explosive level for all your passive mics
Some mics need a LOT of gain - and not all preamps are up to the challenge. The DM1 DYNAMITE is an ultra-slim active inline preamp that fits seamlessly between your mic and mic pre, providing a massive +28dB of clean, transparent gain for all your passive microphones.
With a sophisticated class-A design and specially-selected high-grade FETs, the DM1 has vastly lower output impedance and nearly half the noise of anything else on the market. Additionally, the gain it provides is always a consistent 28dB regardless of the connected load, thanks to its dedicated buffer amplifier.
The DM1 is the perfect way to boost the signal from a passive mic, reduce the likelihood of interference, and provide significantly improved level to your preamp – all without adding noise or coloration. Its output impendence is also the lowest in its class, allowing it to drive long cable runs while reducing susceptibility to RF interference, buzz and hum.
Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy and slim all-metal design, robust construction, and high-quality manufacturing standards.
sE Logo Sticker
User manual with warranty card
+28dB of clean, consistent gain, independent of load
Sophisticated Class-A Electronics
Dedicated output buffer amplifier
Slim, rugged all-metal housing with premium finish
Gold-plated XLR connector
The SPLITMix4 is a fully passive hybrid mixer that offers a wide variety of configurations. Mix 4 stereo input channels down to 1 stereo output, split a stereo input signal to distribute 4 stereo output channels, or combine the configurations for a wide range of applications. You can even configure the SPLITMix4 as 4 stereo input channels thru 4 independent level attenuators to 4 stereo output channels.
Independent stereo level controls are provided on each channel. All 1/4-inch connections are stereo TRS (Tip, Ring, Sleeve) and all channel connections have intelligent switching to allow for a wide variety of configurations. Plugging into a mix input channel removes it from the splitter bus, and plugging into a splitter output channel removes it from the mix bus. Stereo or mono operation is determined by the type of 1/4-inch plug and cabling that you use.
The fully passive design of the SPLITMix4 has no active circuitry to add noise or distortion, and virtually any signal level can be handled. The Level attenuators cover a wide range and offer over 90dB of attenuation and channel isolation. The SPLITMix4 is designed primarily as a line level device with medium input and output impedances.
Four Stereo Input Channels
Independent stereo level controls are provided on each channel
Over 90dB of Attenuation
Passive Design (No Power Supply Required)
Frequency Response............20Hz – 20kHz, +/-1dB
Total Harmonic Distortion..........<0.005% @ 1kHz (typical)
The PDB™ Passive Direct Box is a rock solid, roadworthy DI for connection of the outputs of electronic musical instruments (or other audio sources) to the balanced inputs of mixer consoles and other balanced inputs.
The PDB™ also allows connection of a music source to an instrument amplifier while simultaneously patching it to a mixer.
Electric guitar and bass pick up output signals – The high impedance signal from a guitar or bass guitar pickup is translated by the PDB™ into a low impedance balanced signal required by mixing consoles.
Keyboards and line level signals – The PDB™ automatically balances and matches the line level outputs of modern electronic keyboards. If you are using a multiple keyboard setup and your keyboards are all plugged into a single instrument amplifier, the PDB™ can be used to replace individual direct boxes. Simply send the output of the instrument amplifier to the PDB™ and then to the console (instead of a separate DI box for each keyboard).
DJ console output signals – DJ mixers often supply only an unbalanced -10dB signal. The PDB™ converts this signal to a balanced line level signal before it reaches the console, while providing a convenient method of connector transition with the capability to run long cables.
Speaker level signals – The PDB’s ability to accept speaker level inputs from a power amplifier’s output allows post-amplifier, post eq and effects signals to be fed directly to the console. In this manner, a particular effect or amplifier sound can be sent directly to the mix.
ART PDB Passive Direct Box
Durable Metal Chasis
Switchable Input Attenuation
Ground Lift Switch
Transformer Isolated Output
Frequency Response 10Hz–50kHz +/- 0.5dB @ +4dBu
Output Connections.....................600Ω XLR
Input Attenuation Switchable (0dB, -20dB, -40dB)
Instrument Input.........................50k Ω
Parallel Link Jack.........................50k Ω
Dimensions..............................3″ x 5″ x 2″
The AV Direct is the ideal input solution for any application where stereo iPods, Laptop computers, consumer DVD players, Consumer HiFi equipment or video machines have to be connected to a single XLR microphone level input. Unlike standard gender bender cables or DI boxes, the AV Direct can accept virtually any input connection and output level (including amplified speaker outputs) and offers remote level control, ideal for setting the volume of your component at the source, rather than in and AV room, audio closet or installation rack.
The AV Direct has stereo RCA, 1/8th inch and 1/4-inch TRS line level inputs, as well as a 1/4-inch and bare wire pressure clip speaker level inputs. A switchable 4.8kHz high cut filter, ground lift and variable level control allow the AV Direct to effectively filter out any extraneous unwanted noise while offering variable volume control at source. The speaker level inputs are heavily padded and transformer isolated from the XLR output, allowing amplified speaker level (up to 100 watts @ 8 ohms) to be tapped off, and sent to a microphone level input. A 20Hz to 20kHz frequency response ensures the AV Direct will function seamlessly with any high quality audio source.
Transformer isolated XLR microphone level output
Stereo RCA, 1/8th-inch & 1/4-inch TRS line level inputs
Variable Level Control
20 to 20,000Hz Frequency Response
1/4-inch & Pressure Clip Speaker level inputs
Switchable 4.8kHz high cut filter
Balanced 150 ohm output
Frequency Response..........................20Hz to 20kHz +/-1dB
Line Level Inputs.......1/8 – inch TRS 1/4 – inch TRS, Stereo RCA
Other Inputs......1/4 – inch & Pressure post Speaker Level Inputs
Max Speaker Input..............................100 W rated @ 8 Ω
Ulti-Boom Series Microphone Boom Arm with Patented One-touch Adjustment, StableLock™ Telescoping Lever, and Die-Cast Counterweight - Telescoping Cassette tapes and black and white televisions have both given way to stamp-sized MP3 players and wall-sized widescreens.
It’s high time to throw your “vintage” microphone boom arms into the same waste pile you tossed your bell bottoms and the AMC Gremlin your parents drove in high school. Welcome to the Ulti-Boom Pro evolved boom arms. Welcome to the future.
One Knob To Rule Them All!
“Four Degrees of Freedom!” That’s how we affectionately describe our patented ball-in-joint boom arm clamp. With just one Z-Knob, you can take control of tilt (angle), pan (left to right), depth (toward or away from you), and rotation (twisting the mic one way or the other)! It’s quiet, easy, fast, and well, kinda fun!
Patented StableLock Lever
Never twist a dial again! Our StableLock™ lever is simply the fastest, most secure way to adjust the telescoping tube on a boom arm ever. Period. No, seriously. What’s more, the telescoping arm is a D-Tube (one side is flat) so the lever secures not only the depth, but the rotation of the arm too! We’ve effectively eradicated “drooping mic syndrome” forever! You’re welcome
“Ulti-Boom Pro features a .65-pound die-cast zinc counterweight – not the cheesy, flimsy, plastic piece you see on all the other boom arms. Makes you wonder what exactly those are for...
Aluminum Tubing with Architectural Anodized Finish
The complete boom (mast and telescoping tube) use oversized, heavy-walled aluminum tubing for durability, functionality, and weight savings. What’s more, thanks to the architectural anodized finish (the same type of finish found on stadium bleachers), an Ulti-Boom will not rust or corrode and is 2x to 20x more durable than competing boom arm finishes.
One Knob To Rule Them All!
Patented StableLock Lever
Aluminum Tubing with Architectural Anodized Finish
The tablet tray is designed to be configured in landscape or portrait mode and can be maneuvered to fit any viewing angle. Pronged tray adjusts to fit iPad, iPad 2, and most other large format tablets.
Tablet mount easily threads onto most microphone stands. Perfect for using along with a boom arm for complicated or challenging setups that require creative use of space.
Adjusts To Fit iPad, iPad 2, & Most Other Large Format Tablets
Tray Can Be Configured In Landscape or Portrait Mode