The ultimate kick-drum mic, the Artist Elite AE2500 dual-element instrument microphone features cardioid condenser and dynamic capsules combined in one housing. The dynamic element delivers the aggressive attack of the beater; the condenser captures the round tonalities of the shell. Two layers of resistive mesh form multiple densities over the dynamic element’s side-entry ports, exercising precise control over the time at which off-axis signals arrive at the diaphragm. The condenser diaphragm is optimally tensioned and aged for long-term consistency and stability.

Includes

• Audio Technica AE2500 Microphone
• Isolation Clamp
• 16.5' 5-pin to 2 3-pin connectors
• Protective Pouch

Applications

• Kick Drum
• Bass Cabinet

Features

• Revolutionary dual-element design represents a ground-breaking transducer achievement
• Two elements (condenser and dynamic) are enclosed in a single housing
• Dynamic element delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell
• Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones
• Robust design for enduring dependability on the road
• Integral 80 Hz HPF switch and 10 dB pad on condenser element
• Includes isolation clamp for shock protection, secure mounting and easy positioning
• Includes a 16.5' (5 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors) for separate control over each element

Specifications

• Operating Principle:.........Condenser, Dynamic
• Polar Pattern:...............Cardioid
• Output Connection:...........5-pin XLR
• Frequency Response:..........20-17,000 Hz (Condenser); 30-10,000 Hz (Dynamic)
• Phantom Power Requirements:..11-52VDC (Condenser)
• Impedance:...................100 ohms (Condenser); 600 ohms (Dynamic)
• Dimensions:..................6.5" x 2.17"
• Weight:......................13.8oz
• Sensitivity:.................-51 dB (2.8 mV) re 1V at 1 Pa (condenser); -54 dB (1.9 mV) re 1V at 1 Pa (dynamic)
• Switch:......................(Condenser Only) High-pass filter; 10 dB pad (nominal)

CAD TOURING7 Drum Mics with XLR Cables

 Includes

Specifications are subject to change without notice.

CAD TOURING7 Drum Mics

 Includes

• (4) TSM411 Supercardioid Neodymium Dynamic Microphone

• (1) D12 Cardioid Dynamic Large Diaphragm Kick Drum Microphone

• (2) GXL1200 Cardioid Condenser Microphone

• (4) DMC1 Drum Mic Clips

• (1) Carrying case for easy transport and storage

Specifications are subject to change without notice.

Samson's DK707 7-Piece Drum Mic Kit is an essential collection of professional quality microphones designed to provide excellent sound for close-mic performance and recording environments.

Samson's Q71, Q72 & C02 Mics

The DK707 is a full-range microphone package for professional drummers. It includes one Q71 Kick Drum Microphone, four Q72 Instrument Microphones and two C02 Pencil Condenser Microphones. Featuring high SPL handling, the Q71 is optimized to capture the full essence of your bass drum. With a specialized frequency response, the Q72s help reproduce the natural tone and attack of your snare drums and toms. Lastly, the C02s are perfect for overhead and ambient miking applications.

Also Included

With swivel-style adapters for each and every mic, as well as tension-mounted rim clips for the Q72s, the DK707 makes for quick and easy setup. And with the touring musician in mind, a deluxe hardshell carry case is also included.

Includes

• (1) Q71 Kickdrum Microphone
• (4) Q72 Instrument Microphones
• (2) CO2 Pencil Condeser Microphones

Applications

• Thanks to its incredible sound capabilities and versatile mounting solutions, the 7Kit 7-Piece Drum Mic Set is what drummers use to elevate their performance live and in the studio.

Features

• 7-piece drum mic kit
• One Q71 Kick Drum Microphone with swivel-style mic adapter
• Four Q72 Instrument Microphone with swivel-style mic adapters and tension-mounted rim clips
• Two C02 Pencil Condenser Microphones with shock-mounted swivel-style mic adapters
• Includes hardshell carry case

CAD STAGE 7 Drum Set

Includes

• (1)D10 Cardioid Dynamic Kick Drum Microphone

• (3)D29 Cardioid Dynamic Tom Microphones, with integrated clips

• (1)D19 Cardioid Dynamic Snare Microphone,with integrated clips

• (2)C9 Cardioid Condenser Instrument Microphones for Hi-hats, Cymbals or Overheads

• (2)JS-MCFB100 Tripod Mic Stands Fixed Boom (Black)

• (1)JS-MCFB50 Low-Profile Fixed Boom (Black)

• (7)20' Microphone Cables

• (1)Vinyl carrying case with strap for easy transport and storage.

Specifications are subject to change without notice.

The MXL PA-5K Pro 6-piece drum microphone kit is a complete solution for recording and live performances and includes 6 microphones optimized for producing a clean and articulate reproduction of drums and percussion.

The kit features one A-55 Kicker Dynamic Kick Drum mic to capture the deep bass and punch while keeping a clean and clear sound for the fast attacks of a kick drum. Two A-5 Dynamic Tom mics complement the warm timbre of toms without low-end distortion. The 606 Small Diaphragm condenser captures detailed mid through upper frequency ranges found in hi-hats and snare overtones. Add two CR-21 Instrument pencil mics to place overhead, effectively capturing the cymbals and the overall kit sound.

This magnificent group of mics all have metal bodies to protect against impact. Stand and rim-mount clips for each microphone are included.

The MXL PA-5K Pro is a custom assembled package designed to excel for all your live and recording drum and percussion needs.

7 Piece Drum Mic Pack

Percussion Miking for recording or performance

Includes

• (3) D29 Dynamic Tom Mics with integrated drum clips
• (1) D19 Dynamic Snare Mic with integrated drum clips
• (1) D10 Dynamic Kickdrum Mic with clip
• (2) C9 Overhead Condensers
• (7) 20' XLR-XLR Mic Cables
• Protective carrying case included.

Specifications

Specifications are subject to change without notice.

CAD’s 7 Piece Drum Mic Pack

Includes

• (1) D10 Dynamic Large Diaphragm Kick Drum Mic
• (3) D29 Dynamic Tom mics with Integrated drum-mounts included
• (1) D19 Dynamic Snare mic with Integrated drum-mount included
• (2) C9 Instrument Condenser Mics for High-hats or cymbals
• (1) Vinyl Carrying Case

Applications

• Percussion
• Stage/Touring
• Recording

Specifications

Specifications are subject to change without notice.

Travel the space-tone continuum with the touch of a dial. The figure-of-eight is rich and intimate. The omni is spacious and articulate. Experience all the variations in between. We combine the large-diaphragm capsule with algebraic phasing and high-power transformerless drive to create an indispensable acoustical window. Additional features include hi-pass filter and attenuator. Swivel mount, elastic shock mount and carrying case are included. P24 (24V) or P48 (48V) phantom power is required.

Applications

Studio Vocals, Voice-over, Choir, Orchestra, Acoustic Instrument, Guitar Cabinets, Bass Cabinets, Strings, Piano, Cymbals/Overheads.

Specifications

• Operating Principle: Externally-biased condenser
• Polar Pattern: Continuously variable
• Frequency Response: 20Hz to 20KHz 
• Sensitivity: -36dBV (16mV) @ 1 Pa
• Impedance: 200 ohms
• Max SPL: 143dB, 1% THD, attenuator engaged 
• Self Noise: 11dBA 
• Hi-pass Filter: 100Hz, 6dB/oct
• Attenuator: 10dB 
• Power Requirements: P24, P48, 8mA

Specifications are subject to change without notice.

Dynamic Cardioid Kickdrum Microphone 

Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. 

The D6, has a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction. The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets. 

Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip. 

Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.

Includes

• Audix D6 Dynamic Cardiod Microhone

Applications

• Live Stage
• Recording
• Kick Drum
• Large Toms
• Bass Cabinets

Features

• Lightweight
• Compact and easy to position
• Transformer-less design

Specifications

• Transducer Type: ...Dynamic
• Polar Pattern:...Cardiod
• Frequency Response:...30Hz-15kHz
• Impedance:....280 ohms
• Sensitivity:...2.4mV/Pa @80Hz

Typically ships in 7-10 Days

LCT 240 PRO Take it to the next level.

The LCT 240 PRO is an extremely versatile cardioid condenser microphone designed for everyone who’s eager to take the next step in professional recording.

Equipped with a high-performance condenser capsule it enables clean, modern, and detailed recordings. To accomplish an intimate and direct sound, especially on vocals, we have added a boost on the airy frequencies.

The sturdy, compact and streamlined housing comes in chilly white and classic black.

Be prepared for fantastic results on vocals, acoustic instruments, amplifiers, drums, piano, … - at home, in the studio and on stage - fast and uncomplicated.

Includes

• LCT 240 PRO
• DTP 40 Mts, adjustable microphone mount
• LCT 40 Wx, windscreen
• DTP 40 Lb, leatherette bag

Applications

• Vocal recordings
• Miking guitar amps
• Recording acoustic guitar
• Record drums

Features

• Fantastic sound - on all sound sources
• Handles even the highest sound pressure levels
• Condenser technology

Specifications

• Operating Priciple:..........Condenser, permanently polarized
• Polar Pattern:...........................................................Cardioid
• Output Connection:.............................Gold plated 3-pin XLR
• Frequency Response:..........
• Pantom Power Requirements:.............................48 V +/- 4 V
• Impedance:....................................................................100 Ω
• Dimensions:.........................................5.43 x 2.04 x 1.42 inch
• Weight:..........................................................................10.9 oz
• Sensitivity:..............................................................16.7 mV/Pa

The MXL DX-2® is the first dual capsule dynamic microphone that allows you to tailor the sound from one capsule to the other and all points in between, so that you can easily customize your sound. The front of the microphone is a flat-faced, side-address design which places the microphone capsules close to the sound for optimal pickup, while the opposite side has the crossfade knob, making adjustments a breeze. Capsule 1's super cardioid large capsule design captures the warmth and fullness of your instrument while Capsule 2's cardioid small capsule offers superb mid range and high end detail. Your perfect tone. Dialed.

Includes

• MXL DX-2 Dual Capsule Variable Dynamic
• Hard Mount Mic Stand Adapter
• Protective Case

Applications

• Speaker Cabinet Miking

Features

• Side address microphone with signature flat-face design allows for optimal placement directly in front of guitar speaker cabinets
• Designed to hang over the front of speaker cabinets via XLR cable or stand mountable
• High Sound Pressure Level (SPL) tolerance for use with a wide variety of sound sources

Specifications

• Operating Principle:..........Dual Capsule Dynamic Microphone
• Polar Pattern:...............Super Cardioid, Cardioid
• Output Connection:………..XLR
• Frequency Response:..........50 Hz- 14kHz
• Phantom Power Requirements:…NA
• Impedance:...................400 ohms/600 ohms
• Dimensions:..................43mm x 156mm/ 1.73 in. x 6.14 in
• Weight:......................0.45lbs/204 g
• Sensitivity:.................-52 dB re 1 V/Pa, -54 dB re 1 V/Pa
• Control:………………….Fade Between Capsules

CAD is adding to its popular and critically acclaimed CADLive microphone line with the introduction of the muscular new D88 Kick Mic.
As with all CADLive mics, the D88 benefits from the company’s Equitek technology heritage and know how, and is designed to provide exceptional performance and a dynamic response in all kinds of live sound situations.
The CADLive D88 is equipped with one of the largest capsules for a percussion mic. The TrueFlex diaphragm is powered with a PowerGap Neodymium magnet to provide a particularly hot signal engineered for today’s massive kick drum sounds.

CADLive D80 is designed to outperform your expectations and deliver exceptional performance. Engineered to compliment the new generation of exceptional sound systems — The CADLive series of products taps our Equitek studio heritage along with our live sound know- how in creating an impactful and easy to use mic.

D80 is a Large Diaphragm Moving Coil Dynamic that delivers a reminiscent, yet updated sound profile you would look for in a dynamic microphone. The D80 has a tight Super-Cardioiod polar pattern while supplying a hot output — ensuring outstanding performance on even the loudest stages.

Includes

• D80 Microphone
• Mic Clip
• Zippered Pouch

Applications

• Instruments
• Cabinets
• Percussion

Features

• Compact easy to use Design
• Tight Pickup Pattern

Specifications

• Operating Principle:……….Moving Coil Dynamic
• Polar Pattern:……………Supercardioid
• Output Connection:………..XLR
• Frequency Response:……….50Hz-15KHz
• Pantom Power Requirements:…None
• Impedance:……………….370 Ohms
• Dimensions:………………6.5”x2.25”x2”
• Weight:………………….8.0 oz
• Sensitivity:……………..-48dBV(4.0mV) @ 1 Pa

The D12 is a large-diaphragm, neodymium, cardioid, moving-coil dynamic microphone specifically designed and carefully equalized for kick drum capture and reinforcement. Special attention has been given to enhancing “thump”, “crack”, and “click” while reducing “boxiness”. Neodymium magnetics allow reduced coil mass for transient agility and impedance reduction.

Although designed for kick drum, excellent results are also obtained when used on floor toms, electric guitar and electric bass cabinets.

The die-cast metal body and hardened protective steel screen provide rugged durability. Integrated swivel mount is included.

Includes

• D12 Microphone
• Integrated Micstand-mount
• 20' Mic Cable
• Jamstand JS-MCFB50

Applications

• Kick Drum
• Floor Toms
• Guitar and Bass Cabinets
• Acoustic Bass

Features

• Diecast Metal Body
• Hardened Steel Screen
• Integrated Swivel Mount

Specifications

• Operating Principle:..............................Dynamic
• Polar Pattern:.....................................Cardioid
• Output Connection:...................................XLR
• Frequency Response:...................30Hz-12kHz
• Pantom Power Requirements:..................None
• Impedance:.........................................60 Ohms
• Dimensions:............................2.9" x 4.6" x 4.9"
• Weight:............................................1lb 4 oz oz
• Sensitivity:.....................-66dBV (.5mV) @ 1 Pa
• Switch:......................................................None
• RoHS.................................................Compliant

Designed for drum overheads. Features include hi-pass filter and attenuator. Mic clip included.

Includes

• CAD C9 Condenser Microphone
• Mic Clip

Applications

• Acoustic Instrument
• Strings
• Cymbals/Hi-Hat/Overheads

Specifications

• Operating Principle:.........Condenser
• Polar Pattern:...............Cardioid
• Output Connection:...........Three-pin Standard XLR
• Frequency Response:..........40-13,000 Hz
• Phantom Power Requirements:..+48V
• Impedance:...................230 ohms
• Sensitivity:.................-41dBV (8.9mV) @ 1 Pa
• Switch:......................No On/Off Switch

The Apex565 is particularly suited for many different types of instruments including sax, trumpet, trombone, woodwinds, acoustic (especially classical) guitars, cello, Double Bass and drums. It has also been successfully utilized (with user modifications to the clamp assembly) on violins and violas, accordions and dulcimers.

Don't let its size fool you. This microphone handles the high SPL you would expect when close miking a tom or brass wind instrument. The Apex565's miniature design comes complete with shock-mount assembly and gooseneck clamp, perfect for safe attachment to brass instruments, conga rims and drum rims without damaging or breaking the chrome or lacquer. It's unobtrusive, easy to attach to any instrument and almost impossible to accidentally dislodge, even during enthusiastic live performances.

Includes

• Apex 565B Microphone
• Rim Clip Shockmount Assembly

Features

• Perfect Live Mic for Use on Toms, Brass and Woodwind Instruments
• Cardioid Polar Pattern Delivers Good Feedback Rejection & Predictable Proximity Response/li>
• Handles Extremely High SPL without Distortion or Capsule Overload
• Integrated ABS Clip with Rubberized Grips Won’t Damage Drum Rim or Instrument Bell
• Rubberized Integrated Shock-mount Eliminates Vibration Transfer from Microphone Clip
• Reinforced Gooseneck Assembly Holds Mic Position
• Gold Plated Pins on XLR Connectors for Improved Signal Transfer

Specifications

• Element.................................................................Back Electret Condenser
• Polar Pattern...................................................................................Cardioid
• Frequency Response.....................................................50 Hz to 18,000 Hz
• Sensitivity................................................................................-65dB ± 3 dB
• Impedance..........................................................250Ω ± 30% (at 1,000 Hz)
• Signal to Noise...............................................................Greater Than 65dB
• Operating Voltage.....................................................................9v to 52vDC

A versatile multi-purpose percussion/instrument microphone. 

The TSM411 incorporates “dual point” suspension to maximize sonic performance and ensure excellent shock isolation and ballistic critical to the successful reproduction of toms, snares, cymbals, congas, and guitar amps. It is packaged in a rugged die-cast body with a recessed external screen that ensures protection from accidental impact. The TSM411 has an open, accurate sound. The included mic clip incorporates a soft rubber shock mount to provide additional isolation.

Applications

Toms, Snares, Cymbals, Congas and Guitar Amps.

Specifications

• Operating Principle: Moving coil dynamic
• Polar Pattern: Supercardioid
• Frequency Response: 100Hz to 15KHz
• Sensitivity: -56dBV(1.6mV) @ 1 Pa
• Impedance: 310 ohms 

Specifications are subject to change without notice.

Toms Dynamic Drum Microphone

The D12 is a large-diaphragm, neodymium, cardioid, moving-coil dynamic microphone specifically designed and carefully equalized for kick drum capture and reinforcement. Special attention has been given to enhancing “thump”, “crack”, and “click” while reducing “boxiness”. Neodymium magnetics allow reduced coil mass for transient agility and impedance reduction.

Although designed for kick drum, excellent results are also obtained when used on floor toms, electric guitar and electric bass cabinets.

The die-cast metal body and hardened protective steel screen provide rugged durability. Integrated swivel mount is included.

Includes

• D12 Microphone
• Integrated Micstand-mount

Applications

• Kick Drum
• Floor Toms
• Guitar and Bass Cabinets
• Acoustic Bass

Features

• Diecast Metal Body
• Hardened Steel Screen
• Integrated Swivel Mount

Specifications

• Operating Principle:..............................Dynamic
• Polar Pattern:.....................................Cardioid
• Output Connection:...................................XLR
• Frequency Response:...................30Hz-12kHz
• Pantom Power Requirements:..................None
• Impedance:.........................................60 Ohms
• Dimensions:............................2.9" x 4.6" x 4.9"
• Weight:............................................1lb 4 oz oz
• Sensitivity:.....................-66dBV (.5mV) @ 1 Pa
• Switch:......................................................None
• RoHS.................................................Compliant

Buy a 3 Pack and Save!

The DMC1 is an affordable drum mic clip with adjustable height and strain relief that provides isolation form shocks and vibration. Designed for use on all snare and tom drums, the DMC1 easily attaches to most rims.

The MXL 606 instrument microphone delivers the sound you are looking for when recording snare drums, high-hat cymbals, acoustic guitars, pianos, percussion, stringed instruments and more. Using transformerless FET circuitry and a gold-sputtered diaphragm capsule provides a clean and clear tone.

The 606 also features a -20 dB switchable attenuation pad and low-frequency roll-off.

Includes

• MXL 606 Small Diaphragm Condenser Instrument Microphone
• Mic Clip and Aluminum Carrying Case

Applications

• Snare drums
• High-hat cymbals
• Acoustic guitars
• Pianos
• Percussion
• Stringed instruments and more

Features

• Small-diaphragm instrument mic with a warm, detailed sound
• Transformerless FET circuitry for clean, clear recordings
• Bass roll-off and attenuator to fit any recording situation
• Excellent detail in the midrange and at the top end

Specifications

• Operating Principle:……….Pressure Gradient Condenser Microphone
• Polar Pattern:……….Cardioid
• Output Connection:………..Standard 3-pin XLR
• Frequency Response:..........30Hz - 20kHz
• Phantom Power Requirements:…48V phantom power (+/- 4V)
• Impedance:……………….150 ohms
• Dimensions:..................110mm x 23mm/4.3 in. x 0.89 in
• Weight:......................0.25 lbs/113g
• Sensitivity:.................15 mV/Pa
• Switch:………………….None

The D10 is a cardioid, moving-coil dynamic microphone specifically designed and carefully equalized for kick drum capture and reinforcement. Special attention has been given to enhancing “thump”, “crack” and “click” while reducing “boxiness”.

Although designed for kick drum, excellent results are also obtained when used on floor toms, electric guitar and electric bass cabinets.

The die-cast metal body and hardened protective steel screen provide rugged durability. Integrated swivel mount is included.

Includes

• D10 Microphone
• Integral Micstand-mount

Applications

• Kick Drum
• Floor Toms
• Guitar and Bass Cabinets

Features

• Diecast Metal Body
• Hardened Steel Screen

Specifications

• Operating Principle:......................Dynamic
• Polar Pattern:..............................Cardioid
• Output Connection:............................XLR
• Frequency Response:............50Hz-16kHz
• Phantom Power Requirements:...........None
• Impedance:.................................60 Ohms
• Dimensions:...............................4.2" x 2.4"
• Weight:........................................12.75 oz
• Sensitivity:...........-67dBV (.45mV) @ 1 Pa
• Switch:...............................................None
• RoHS.........................................Compliant

Packaged in a small, rugged, all-metal body, the C9 cardioid condenser microphone is designed primarily for overhead drum miking.

The cardioid polar pattern focuses sensitivity to the front of the microphone while minimizing sources arriving from the rear. Transformerless line-driver circuitry improves transient agility while maintaining phase alignment for clear detail.

The integral polymer isolation mechanically decouples the capsule from the body minimizing acoustical conduction from the floor through the mic stand.

Although designed for drum overheads, the C9 also excels when used on classical stringed instruments, acoustic guitars, and folk instruments.

Shock-isolating swivel mount is included. P12 (12V), P24 (24V), or P48 (48V) phantom power is required.

The new upgrade from the older technology CM 217.

Includes

• CAD C9 Microphone
• Mic Clip

Applications

• Overheads
• Classical Strings
• Acoustic Guitar
• Folk Instruments

Features

• Excellent Isolation
• Small, rugged design

Specifications

• Operating Principle:..........Condenser
• Polar Pattern:...............Cardioid
• Output Connection:...........XLR
• Frequency Response:..........40Hz-13kHz
• Phantom Power Requirements:...Phantom Power 12-48V 2.2ma
• Impedance:...................150 Ohms
• Dimensions:..................4" x .75"
• Weight:......................1.12 oz
• Sensitivity:.................-41dBV (2.2mV) @ 1Pa
• RoHS.........................Compliant

Cardioid Dynamic Tom Drum Microphone

The D29 is a cardio id, moving-coil dynamic microphone specifically designed for the capture and reinforcement of tom-tom drums and other acoustic percussive instruments.

The cardioid polar pattern provides off-axis rejection crucial for on-stage clarity. Although designed with percussion in mind, excellent results are also obtained when used on on most electrical and acoustical instruments.

The integrated drum clip is designed to facilitate rapid, optimal placement.

Includes

• D29 Microphone
• Integrated Drum Clip

Applications

• Rack toms
• Floor Toms
• Guitar/Bass Cabinets
• Electric and Acoustic Instruments

Features

• Response Peak in upper midrange
• Integrated Drum Clip

Specifications

• Operating Principle:.....................Dynamic
• Polar Pattern:............................Cardioid
• Output Connection:... ...............XLR
• Frequency Response:..............90Hz-13kHz
• Phantom Power Requirements:...None
• Impedance:...............................560 Ohms
• Dimensions:..............................3.48" x 1.65"
• Weight:.....................................6.,5 oz
• Sensitivity:...............................-53dBV (2.2mV) @ 1 Pa
• Switch:.....................................None
• RoHS.......................................Compliant

Supercardioid Dynamic Percussion Microphone

The D19 is a supercardioid, moving-coil dynamic microphone specifically designed for the capture and reinforcement of snare drum and other acoustic percussive instruments.

The supercardioid polar pattern provides off-axis rejection crucial for on-stage clarity. Although designed with percussion in mind, excellent results are also obtained when used on on most electrical and acoustical instruments.

The integral drum clip is designed to facilitate rapid, optimal placement.

Includes

• CAD D19 Microphone
• Integral Mic Clip

Applications

• Snare Drums
• Guitar/Bass Cabinets
• Electric and Acoustic Instruments

Features

• Smooth Presence Peak
• Integral Mic Clip

Specifications

• Operating Principle:.....................Dynamic
• Polar Pattern:....................Supercardioid
• Output Connection:...........................XLR
• Frequency Response:..........90Hz-14kHz
• Phantom Power Requirements:.........None
• Impedance:..............................300 Ohms
• Dimensions:..........................3.48" x 1.65"
• Weight:...........................................6.5 oz
• Sensitivity:.................-56dBV (1.5mV) @ 1 Pa
• Switch:..............................................None
• RoHS........................................Compliant

The DM1 DYNAMITE:  Explosive level for all your passive mics

Some mics need a LOT of gain - and not all preamps are up to the challenge. The DM1 DYNAMITE is an ultra-slim active inline preamp that fits seamlessly between your mic and mic pre, providing a massive +28dB of clean, transparent gain for all your passive microphones.

With a sophisticated class-A design and specially-selected high-grade FETs, the DM1 has vastly lower output impedance and nearly half the noise of anything else on the market. Additionally, the gain it provides is always a consistent 28dB regardless of the connected load, thanks to its dedicated buffer amplifier.

The DM1 is the perfect way to boost the signal from a passive mic, reduce the likelihood of interference, and provide significantly improved level to your preamp – all without adding noise or coloration. Its output impendence is also the lowest in its class, allowing it to drive long cable runs while reducing susceptibility to RF interference, buzz and hum.

Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy and slim all-metal design, robust construction, and high-quality manufacturing standards.

Includes

• DM1
• sE Logo Sticker
• User manual with warranty card

Features

• +28dB of clean, consistent gain, independent of load
• Sophisticated Class-A Electronics
• Dedicated output buffer amplifier
• Slim, rugged all-metal housing with premium finish
• Gold-plated XLR connector

Specifications

• Frequency Range........................10Hz-120,000Hz
• Gain............................28dB (load 1000 Ohms)
• Max output level..........(0.5% THD): 8.3 dBV (2.6 V)
• Output noise level:..................... 9 μV (JIS-A)
• Powering:........................ 48 Volts(IEC 61938)
• Electrical impedance:........................135 Ohms
• Recommended load impedance:..................>1k Ohms
• Current consumption:...........................3.0 mA
• Connectivity:.........3-pin male/female XLR connector
• Dimensions:.......................... (0.75")x(3.76")
• Weight:.......................................2.82 oz

The new ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The ProMPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

The ProMPA II can operate at either a low or high plate voltage on the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays show tube gain.

Housed in a standard 2u space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel, the ProMPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.

Includes

• ART PRO MPA-II
• User Manual
• Power Cord

Features

• Variable Input Impedance For Flexible Microphone Voicing (150 ohms To 2400 ohms)
• Large VU Meters
• Discrete Class-A Input Microphone Preamplifier
• Additional Front Mounted Instrument Input Jack
• Extremely Low Total Harmonic Distortion (THD)
• Operates at +4dbm/-10dbv Output
• Automatic Instrument Input Selection
• Selectable Plate Voltage
• Backlit Function Switches
• Low Noise at Lower Gain Settings
• Wide Frequency Response
• Supports Mid/Side Miking Technique
• Selectable Stereo/Dual Operation of Output Controls

Specifications

• Frequency Response.......................
• 15Hz to 48 kHz (+0, -1dB) @ normal plate voltage
• ....................15Hz to 120 kHz (+0, -1dB) @ high plate voltage
• Dynamic Range:............................... >110dB (“A” weighted)
• CMRR:.........................................................>90dB
• THD:..............................................<0.005% (typical)
• Equivalent Input Noise:.................-129dBu (XLR, “A” weighted)
• Maximum Input Level:................................+19dBu (cannon)
• Maximum Instrument Input:....................................+17dBu
• Input Impedance:..................150-3000 (Omega) adjustable (XLR)
• ..........................................800k (Omega) (Instrument)
• Output Impedance::...............................< 47 (Omega) (XLR)
• Maximum Gain:..................................................75dB
• Meter Calibration:..................0 VU = +4dBu output (+4dB mode)
• ..................................0 VU = -10dBV output (-10dB mode)
• High Pass Filter:.................single pole, 10-200 Hz adjustable

The ART USBMIX4 Microphone, Instrument, and Line Mixer/Computer Interface is a compact versatile audio interface for your computer that converts analog signals from a variety of audio sources to a digital signal that your computer recognizes. It can also be used as a stand-alone mixer through the main mix outputs.

The USBMIX4 provides a great starting point for personal home studio recording or for anyone wants to do mobile location recording. Use the USBMIX4 to record pod casts, capture your latest idea for a song, make voiceovers for your home movies, or record a jam with a friend - whenever and wherever your creativity takes you!

Includes

• USBMix4 – Four Channel Mixer / USB Audio Interface
• Power Supply
• User Manual

Features

• High Performance Low Noise Design
• Assignable USB Record Source
• 1/8" Headset Connectors (Mono Mic In and Stereo Headset Out)
• Switchable +48v Phantom Power (CH1 & CH2)
• Independent Level Controls for Main and Headphone/Monitor Outputs
• Operates on USB Power or 5VDC External Power Supply (Included)

Specifications

• Input Connections............XLR & ¼' Balanced Combi-jack (CH1 & CH2)
• ..............................................................1/4" TRS Balanced (CH3 & CH4)
• .....................................................1/8" TRS Aux/MP3, 1/8" Headset Mic
• Output Connections.....................1/4" TRS Balanced Main Mix Outputs
• .............................................1/4" TRS Stereo Output & Monitor Outputs
• .......................................................................1/8th-inch Headset Output
• Signal to Noise Ratio.......................................>90dB Typical (Ref 0dBu)
• Maximum Input Level........................... +8dBu(Mic), +16dBu (1/4" Input)
• Maximum Output Level....................................+15dBu Main Mix Outputs
• Maximum Gain..............>55dB(Mic),>37dB (Instrument),5dB (CH3 & CH4)
• USB Interface................... USB Class Compliant plug-and-play Mac/PC
• Power..............................................................Via USB or 5VDC @ 500mA
• Dimensions...........................................................1.75″H x 5.1″W x 7.5″D

The all-tube 610 Console Mic Preamp sound in a rugged, “go anywhere” design.

The SOLO/610 delivers the classic Putnam 610 tube console sound in a portable,highly versatile mic preamp design. It provides the silky, vintage warmth of the original console’s mic amp design, and will flatter and enhance any microphone or instrument with its iconic tones.

Thanks to its convenient form factor, the SOLO/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO/610 maintains the character of the 610 console — at a price every serious project studio can afford.

Now You Can:

Record through the classic tube circuit of the Putnam 610 console mic preamp and DI

Sculpt signals with Gain, Level, and Impedance controls for maximum tonal variety

Add tube girth and detail to any mic

Craft your sounds with classic UA tube circuits, hand-built in the USA

Vintage Tones, Modern Workflow

The SOLO/610 offers Mic and DI inputs, and Gain and Level controls for myriad clean or colored sounds. Unlike its predecessors, the SOLO/610 has continuous Gain control with even greater range, allowing for precise gain structuring. The SOLO/610 has all of the essential features of a professional mic pre, including 48v Phantom Power, Lo-Cut filtering, Phase Reverse, and flexible dual impedance selection for both Mic and DI inputs. The SOLO/610 also includes essential DI features like Thru use in conjunction with an amplifier, plus Ground Lift and a versatile Mic/Line level output switch.

Features

Classic Putnam 610 console mic preamplifier and DI
Legendary all-tube sound, at a project studio price
Gain, Level, and Impedance selection for maximum tonal variety
Portable design for studio, desktop or stage
Rugged construction-steel chassis
DI features include Thru and Mic/Line level output
Hand-built in USA; backed by 1-year limited warranty

Specifications

Input Impedance
Mic Input - Selectable 450 ohms (Lo-Z) or 1.6 kilohms (Hi-Z)
DI Input - Selectable 2.2 megohms (Lo-Z) or 50 kilohms (Hi-Z)

Output Load Impedance
20 Hz to 20 kHz +/- 1 dB

Maximum Gain
61 dB

Tube Complement
(1) 12AX7, (1) 12AT7

Maximum Mic Input Level
-12 dBu, 1.0% THD+N Ratio

Maximum Instrument Input Level
+4 dBu, 1.0% THD+N Ratio

Maximum Gain Mic Input
55 dB (1.6K ohm input), 60 dB (450 ohm input)

Mic/Instrument In Frequency Response
20 Hz to 20 kHz, +/- 0.1 dB

Maximum Gain Instrument Input
37 dB

Dimensions
L: 14"
W: 5 3/4"
H: 5"

Weight
9 lbs.

Includes

• 1 ART Tube MP studio V3

Applications

• Stage
• Studio

Features

• Dynamic range of: 100dB
• Frequency response of: 10Hz-2Khz
• Uses Phantom Power

Specifications

• 5" x 5.5" X 2"
• 1.5lbs

Overview The ART Tube Mix provides a compact versatile audio interface. The Mixer supports two mic inputs, one high Impedance Instrument input, and two line inputs simultaneously. The Tube can be assigned to act as a dual channel tube mic preamp, or stacked and applied to the Instrument input for added warmth and tone with guitar or bass.

TubeMix Applications: All input channels = fully featured with 3-band EQ, two aux sends, pan and level controls Select inputs include input trim control and clip indicators for optimum level setting High impedance instrument input has an amp simulation function Versatile output section allows separate stereo monitor mix on the main buss while recording the via aux buss, or vice versa if required

Flexible Control Room/Headphone section allows routing to monitor the main mix, USB input and aux sends for maximum flexibility Authentic VU meters and wood side panels add to the great vintage look and feel of the USB TubeMix /p>

Includes

• TUBE MIX
• Power Supply
• CD with drivers and Audacity Software

Features

• Fully Featured Tube Driven Five Channel Stereo USB Mixer
• Dedicated High Impedance Instrument Input with Amp Simulator
• Switchable Low Noise +48V Phantom Power for Condenser Mics
• Fully Featured Input Channels
• Two Wide Dynamic Range Low Noise Mic Preamp Channels
• 12AX7 Tube can be Applied to Either Microphone or Instrument Inputs
• Precise VU Meters and Wide Range LED Meters with Selectable Source
• Flexible Control Room / Monitor Section
• USB 2.0 compliant. No special drivers needed with most modern versions of Windows, Mac OS, and Linux

Specifications

• Input Impedance.........................................Microphone: 3.5k Ω
• ..................................................Line (CH1, CH2, CH3/4), 10k Ω
• ........................................................................CH5 (Inst.), 1M Ω
• Output Impedance............Main, Control Room (Balanced/Unbalanced), 150/100 Ω
• .....................................................................AUX Outputs, 150 Ω
• ......................................................................Headphones, 100 Ω
• Frequency Response.........................................20-100kHz + 1dB
• Maximum Input Level...............................CH1, CH2 (Mic), +9dBu
• ............................................................CH1 CH2 (Line In), +20dBu
• ................................................................CH3/4 (EQ Flat), +20dBu
• ...................................................................CH5 (EQ Flat), +16dBu
• .......................................................................AUX Return, +24dBu
• Maximum Output Level.................Main, Control Room (Balanced, Unbalanced), +20dBu/+17dBu
• ...........................................................................Aux Send, +20dBu
• ..............................Headphones, 100mW / Ch @ 300 Ω, 50mW /Ch @32 Ω
• Maximum Gain.........................LINE IN to Main output (balanced), +63dB
• .............................................CH 5 to Main output (balanced), 56dB
• .........................................CH3/4 to Main output (balanced), +30dB
• Equivalent Input Noise........Microphone (@max gain), 127dBu “C”wtd.
• ...................................................Line (@max gain), -105dBu “C” wtd.
• ...........................................Instrument (@ max gain), -112dBu “C” wtd.
• USBInterface......USB class compliant plug-and-play Mac and PC interface
• A/D,D/A..............16 Bit, 44.1 kHz or 48 kHz, USB selectable from computer
• Phantom Power...........Switch selectable, +48V DC, filtered, current limited
• Power Requirements........................................................18 VAC, 1000mA
• Dimensions...............................................................3.3″H x 7.8″W x 10.4″D
• Weight.............................................................................5.5 lbs
• Note.........................................................................0 dBu = 0.775Vrms

Get tube and solid-state sonics and everything in-between with this unique mic pre/DI.

The award-winning 710 Twin-Finity™ is a radical UA mic preamp design that combines both the classic retro warmth of tubes with the transient bite of solid-state, all in a 2U, half-rack unit. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.

Tone blending is continually variable between 100% tube and 100% solid-state, offering a practically infinite range of unique preamp tones, plus the ability to easily dial-in your own signature sound. There are lots of sensibly priced solid-state and tube preamplifiers out there, but the 710 Twin-Finity is the only one that offers the best of both worlds — as well as everything in-between — all in one box, and within reach of any serious project studio’s budget. Includes a 19" rack-kit for mounting one or two units.

Now You Can:

Harness the distinct sonic properties of tubes and solid-state in one unique preamp/DI

Unlock the potential of your mic locker with a powerfully versatile preamp

Blend between tube and solid-state sounds for myriad textures and tones

Easily track guitar, bass, or keyboards with the front panel 1/4“ Hi-Z instrument input

The Ultimate in Mic Pre Flexibility

The key to the 710 Twin-Finity’s sonic flexibility lies in its innovative circuit design, featuring a solid-state transimpedance input amp simultaneously driving separate, phase-aligned tube and solid-state gain stages, which are then summed to a single output. The mix between the 310 volt single-ended class-A triode tube stage and solid-state transimpedance stage is controlled via the "Blend Knob" labeled "∞". Blending is continually variable between 100% tube and 100% solid-state offering a practically infinite range of unique pre-amp tones and the ability to easily dial-in your own signature sound.

Drive for Days

Like all our other preamp designs, the 710 features dual gain-stage controls (Gain/Level) which can radically vary the amount of coloration and distortion by allowing you to crank up the input gain like a guitar amp. The VU meter features a unique "Drive" mode allowing you to see how hard you are driving the input stage.

Features

Twin-Finity™ Tone-Blending Mic/Line Preamp & Hi-Z Instrument DI
Dual-Path 310 volt Class-A Tube and Transimpedance Solid State Preamp
Phase-Aligned "Tone-Blending" of Tube and Solid State
Dual Gain Stages: Wire with Gain to Creamy to Crunchy
Discrete JFET DI with 2.2M ohm Ultra Hi-Z impedance
Monolithic Balanced Output Stage
70dB+ of gain, +48V Phantom, Pad(-15dB), Phase Invert, and Low Cut Filter(75Hz)
Output and "Drive" backlit VU metering
Portable, Rack-Mountable design for Studio, Desktop or Stage
19” Rack Kit Included
Front Panel Hi-Z Input (switched from Mic/Line automatically via Jack Detect)
Rear Panel XLR Mic Input, XLR Line Input and XLR Line Output
Universal Internal Power Supply
Heavy-Duty Metal Construction

Specs

Inputs
Microphone (Female XLR)
Balanced Line (Female XLR)
Unbalanced Instrument (1/4" jack) (D.I.)
Outputs
Balanced Line (Male XLR)
Tube Complement
12ax7
Pad
-15dB
High Pass Filter
75Hz
Maximum Power Consumption
160mA @120VAC, 20W
Power Requirements
100-240VAC
Dimensions
8.45W x 3.5H x 10.25D
Weight
5.25 lb
Impedance
Mic Input Impedance
2K ohms
Line Input Impedance
10K ohms
Hi-Z Input Impedance
2.2M ohms
Internal Output Impedance
600 ohms
Gain/Levels
Gain Range for Unit
-Infinity to 70dBu
Mic Range Gain Pot
10 ~ 60 dBu
Line Range Gain Pot
-10 ~ 40 dBu
Hi-Z Range Gain Pot
-10 ~ 40 dBu
Frequency Response
Mic Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Line Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Hi-Z Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Distortion
Min THD+Noise @ +4dBU
0.1% tube 0.005% solid-state

Includes

• AKG C 214 comes complete with carrying case, windscreen, and spider suspension mount included.

• Ultimate Support MC40B-PRO Stand

• ATH-M20X Closed-back Studio Headphones

• Focusrite Solo 3rd Gen USB Audio Interface with Pro Tools | First

• Conquest Cables Lifetime Warranty: (1) XLR S2BN 20 with NEUTRIK Connectors

AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well.

The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.

Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch‐all in an elegant but rugged package. Besides, the C 214 will also work on low phantom power voltages from 12 up to 48 volts.

Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals.

The C 214 comes complete with carrying case, windscreen, and spider suspension mount included.

Polar pattern: Cardioid

Frequency range: 20 to 20,000 Hz

Sensitivity: 20 mV/Pa (-34 dBV)

Max. SPL: 136/156 dB SPL (0/-20 dB) (for 0.5% THD)

Equivalent noise level: 13 dB-A to IEC 60268-4 (A-weighted)

Signal/noise ratio: (A-weighted) 81 dB

Preattenuation pad: 0/-20 dB (switchable)

Bass cut filter slope: 160 Hz, 6 dB/Octave, switchable

Impedance: <=200 ohms

Recommended load impedance: >=1000 ohms

Supply voltage: 12 to 52 V Phantom power to IEC 61938

Powering: < 2 mA

Dynamic range: 123/143 dB (0/-20 dB) (A-weighted)

Connector: IEC standard 3-pin XLR

Finish: matte grayish blue

Dimensions: 160 x 55 mm (6.3 x 2.2 in.)

Net weight: 280 g (0.62 lbs.)

Shipping weight: 1450 g (3.22 lbs.)

Scarlett Solo 3rd Gen 192kHz USB 2 in, 2 out Audio Interface w/Pro Tools First

Solo Description

The simplest model in the range, the third-generation Scarlett Solo provides singer-songwriters with a reassuringly easy recording process. Equipped with high performance 24-bit/192kHz AD-DA converters, Scarlett guarantees the same professional sound quality throughout the third-generation range.

Its features include a single upgraded third-generation Scarlett mic preamp: with a switchable Air setting to reproduce the Air effect of Focusrite’s original ISA mic preamp, giving your vocal recordings a brighter and more open sound.

The high impedance, high-headroom instrument input allows you to record guitar or bass without any clipping or unwanted distortion, while Gain Halo metering makes it easy for you to set the input level. And Scarlett Solo's balanced outputs are hum-free when connecting studio monitors with balanced inputs, so you’ll always have pristine audio playback.

Scarlett Solo is designed to stand up to days on the road and connects straight to your Mac® or PC via USB cable, with no external power required. It comes with all the software tools you need to get started, including two comprehensive digital audio workstations: Ableton® Live Lite™ and Pro Tools® First Focusrite Creative Pack. Intuitive enough for beginners yet advanced enough to inspire real creativity with great-sounding effects.

Focusrite have partnered with Splice to give 3rd Gen. interface owners a free 3-month Splice Sounds subscription when setting a new Splice account. Splice Sounds offers millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily from your favourite producers, sound designers, and artists. Creators use Splice to make all kinds of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and cinematic scores.

As with all Focusrite products, you’ll also benefit from a two-year warranty, award-winning customer support, and membership of their Plug-in Collective offering free software downloads and generous discounts.

Features:

• Focusrite SCARLETT SOLO 3rd Gen 192kHz USB Audio Interface w/ Pro Tools First
• The best performing mic preamps the Scarlett range has ever seen, now with switchable Air mode to give your recordings a brighter and more open sound
• One high-headroom instrument input to plug in your guitar or bass
• High-performance converters enable you to record and mix at up to 24-bit/ 192kHz
• Two hum-free balanced outputs provide clean audio playback
• With our Quick Start tool, it's now easier than ever to get up and running

Specifications:

• Connectivity: USB Type-C
• Protocol USB: 2.0
• Form Factor Desktop
• Simultaneous I/O 2 x 2
• A/D Resolution 24-bit/192 kHz
• Number of Preamps 1
• Phantom Power YES
• Instrument Inputs: 1
• Line Inputs: 1
• Analogue Outputs: 2 TRS (Balanced)
• Headphone Outputs: 1
• Bus Powered: YES

Included Software:

• Ableton Live Lite music making software
• Pro Tools | First Focusrite Creative Pack
• Free 3-month Splice Sounds subscription with new Splice accounts
• Focusrite Red 2 & Red 3 Plug-In Suite
• A choice of 1 of 4 XLN Audio Addictive Keys virtual instruments
• Softube Time & Tone Bundle
• Access to the Focusrite Plug-in Collective

In The Box:

• Scarlett Solo 3rd Gen.
• 1 x USB cable (Type C-A)
• Warranty: 2 YEAR MANUFACTURER

 

The DUALXDirect provides two independent high quality active interfaces that let you connect instrument, line, or speaker level signals to a mixer or other balanced inputs. Each of the high impedance 1/4" and XLR inputs (provided via "combo" jacks) are buffered and converted by very low noise active electronics into an isolated, balanced, low impedance signal output. The DUALXDirect has an extremely flat and wide frequency response and can handle high signal levels. This gives the DUALXDirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The input ATTENUATOR switches allow for a wide range of signal levels and the input THRU jacks allow for tapping off of your signal chain. The GROUND LIFT switches let you totally separate the input and output signal grounds, when appropriate, to isolate two systems, thereby reducing hum and ground-loop noise.

The DUALXDirect''s active circuitry is powered by phantom voltage from the OUTPUT connections or by an internal 9V battery, when external power is not available. When powered by a battery, it draws less than 7.5 mA which should provide more than 100 hours of operation with a new battery (alkaline recommended). If phantom power is available, then the DUALXDirect will automatically draw its power from the external source. The POWER ON/OFF switch lights more dimly when the unit is running off of the battery, lights more brightly when it is running off of phantom power, and is off when the unit is inactive.

The compact black-anodized all aluminum case and it's active design allow the DUALXDirect to provide years of trouble free service in Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application. It's full feature set, rugged construction, and high-end specifications make the DUALXDirect the obvious choice.

Includes

• DUALXDirect Dual Professsional Active Direct Box
• Owners Manual

Features

• Fully Active Design
• Phantom Voltage or 9v Battery Powered
• Converts High-Impedance Balanced / Unbalanced Inputs Into 600 ohm Balanced Outputs
• Switchable input attenuation (0, -20, -40 dB) Switchable low pass filter
• Switchable phase invert
• Switchable ground lift (fully isolates inputs from chassis and outputs)
• ¼-Inch TRS | XLR Combi Jack Inputs
• Rugged Extruded Aluminum Case

Specifications

• Frequency Response:..........10 Hz - 100 kHz, ± 0.5 dB @ +0 dBu
• Total Harmonic Distortion:...............<.05% (typical)
• Dynamic Range:...........>100 dB (typical)
• Channel Separation:..........> 80 dB (typical)
• Maximum Input Level:...+4, +34 dBu
• Maximum Output Level:..........+6 dBu (battery powered), +14 dBu (phantom powered)
• Input Connections:...........¼-inch TRS | XLR female balanced / unbalanced (2), 470k Ω
• Thru Connections:......................¼-inch TRS (2)
• Output Connections:.................XLR male balanced (2), <600 li="">
• Input Attenuation:......................Switchable, (0, -30 dB)
• Power Requirements...............9V @ 7.5 mA (battery,Alkaline recommended),
• ................................18 - 48V DC @ 6.4 mA (phantom power, per channel)
• Dimensions....................1.85"H x 4.6"W x 3.9"D
• Weight........................ 0.84 lbs

Simple, reliable, and portable.

Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USB® 96 audio interface is for you! This simple, handy little audio/MIDI interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Bus-powered and built to travel, the AudioBox USB 96 makes recording easy.

Just the right size.

The AudioBox USB 96 audio interface’s two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

Roadworthy and ready to travel.

Here is a mobile audio interface in the best sense of the term. We gave the AudioBox USB 96 a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it’s USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop.

Computer system requirements: Below are the minimum computer-system requirements for AudioBox USB 96. Mac Mac® OS X 10.8.5 or later Intel® Core Duo processor (Intel Core™ 2 Duo or Intel Core i3 or better recommended) 2 GB RAM (4 GB or more recommended) Windows Windows® 7x 64/x86 SP1 or Windows 8/8.1 x64/x86 or Windows 10 x64/x86 Intel Core 2 processor (Intel Core i3 processor or better recommended) 4 GB RAM (8 GB or more recommended) Windows and Mac Systems USB 2.0 Port Internet connection (for activation) Monitor with at least 1024x768 resolution 20 GB hard-disk space Internal or external 7200 RPM storage drive highly recommended The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer. Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system.

Includes

• AudioBox USB 96
• Studio One® Artist
• Studio Magic Plug-in Suite
• User Guide
• USB Cable

Features

• 2 dual-purpose front-panel input channels, each with high-quality mic preamplifiers
• 2 combo mic/instrument inputs
• Individual channel-trim controls with 0 to +35 dBu mic gain range
• 48V phantom power for condenser microphones
• Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring)
• Headphone jack with level control
• Main-output level control
• LED clip indicator for each channel

Stop Wasting Time

Our easiest way to make pro recordings from home

You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett Solo Studio Pack gives you everything you need to easily make studio-quality music on PC or Mac.

Stop Wasting TimeEverything you need to make studio-quality recordings from home

You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett 2i2 Studio Pack gives you everything you need to easily make studio-quality music on Mac or PC.

The MVi connects any standard XLR microphone or ¼-inch plug for guitar, bass or keyboard to any iOS device, Mac or PC for seamless, high-quality audio capture. Compatible with iOS, Android, Mac, and PC devices.

Includes

• Shure MVI.
• USB and Lightning® cables.
• User Guide.

Applications

• Home studio recording.

Features

• 5 DSP preset modes.
• Headphone monitoring capabilities.
• Onboard touch panel controls.

The legendary SM57 cardioid dynamic instrument microphone is now available with the X2u USB Signal Adapter, which features built-in headphone monitoring with zero latency, and easy controls to balance microphone and playback audio.

Digitally record wherever and whenever your computer takes you - just plug and play for better-than-CD quality instrument reproduction.

Includes

• Shure SM57
• X2u Adapter
• Mic Clip
• Zipper Pouch
• USB Cable

Features

• SM57
• Dynamic microphone cartridge with tailored frequency response delivers clear reproduction of amplified and acoustic instruments
• Uniform cardioid polar pattern isolates the sound source while minimizing background noise
• Internal pneumatic shock mount minimizes handling noise
• Legendary construction and versatility for consistent performance under rugged use and abuse on stage or in the studio.

• X2u
• Plug and Play USB Connectivity allows the convenience of digital recording anywhere your computer can go (compatible with Windows 7, Vista, XP, 2000, and Mac OS X 10.1 or later).
• Integrated pre-amp with Microphone Gain Control allows control of input signal strength
• Zero Latency Monitoring for real-time playback and multi-tracking without disorientation
• Headphone jack for monitoring with 1/8” connectivity
• Monitor Mix Control for blending microphone and playback audio
• 16 bit, up to 48 kHz sample rate for better-than-CD quality audio

Specifications

• Operating Priciple:..........Dynamic
• Frequency Response:(SM57).40-15,000 Hz
• Frequency Response:(X2u).20-20,000 Hz(+/- 1dB)
• Polar Pattern:….Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency.

Any Microphone. Any Time. Any Where.

Use your favorite microphones to digitally record wherever and whenever your computer takes you with the X2u XLR-to-USB Signal Adapter.

Perfect for multi-track recording, the X2u features built-in headphone monitoring with zero latency, and easy controls to balance microphone and playback audio. Just plug and play for better-than-CD quality sound.

Includes

• X2u XLR-to-USB Signal Adapter
• USB cable (3m / 9.8ft)
• Padded Zipper Pouch

Applications

• Perfect for multi-track recording.
• Desktop or portable laptop studios
• Podcasting
• Instrumental and vocal tracking

Features

• Plug and Play USB Connectivity allows the convenience of digital recording, anywhere your computer can go (compatible with Windows 7, Vista, XP, 2000, and Mac OS X 10.1 or later)
• Provides +48V Phantom power
• USB cable (3m / 9.8ft) included for immediate use
• Record
• Monitor Mix Control for blending microphone and playback audio
• Headphone jack with volume control for monitoring
• Integrated pre-amp with Microphone Gain Control allows control of input signal strength
• Playback
• Zero Latency Monitoring for real-time playback and multi-tracking without disorientation
• 16 bit, up to 48 kHz sample rate for better-than-CD quality audio

Specifications

• Frequency Response:..........20 to 20,000 Hz +/- 1 dB
• Power Requirements:………..USB-powered, 500 mA, maximum
• Digital Noise Floor……..Minimum MIC GAIN setting: −81 dB FS
• Digital Noise Floor……..Maximum MIC GAIN setting: −78 dB FS
• (20 Hz to 20 kHz, A-weighted).
• Sampling Rate:………………up to 48 kHz
• Bit Depth:………………….16 bit
• Peak Signal Indicator (Tri-color):……………..
• OFF: −30 dB FS
• Green: −30 to −12 dB FS
• Yellow: −12 to 0 dB FS
• Red: >0 (digital converter clipped)
• Adjustable Gain Range:………………….40 dB
• Headphone Output:………..3.5mm (1/8 inch)

System Requirements

• USB:………….USB 1.1 or 2.0, powered
• RAM:………….64MB RAM (minimum)
• Operating System:………….
• Microsoft Windows 2000 Professional Japanese/English Edition
• Microsoft Windows XP Home/Professional Japanese/English
• Edition (service pack 1.0 or later, or use the USB audio driver update from Microsoft
• Microsoft Windows Vista™ Business Japanese/English Edition
• Apple Computer Mac OS X 10.0 or later English Edition
• Apple Computer Mac OS X 10.1 or later Japanese Edition (ForMac OS X 10.0 Japanese Edition, plug and play does not work appropriately)

The USB Dual Pre is a full-featured high quality dual portable preamplifier and computer interface packed into a compact rugged case.

It will work with the USB audio device drivers built into Windows 98SE/ME/2000/XP/Vista and Apple OS9.1/OSX computers with native USB support. No special drivers are needed.

*** Windows 7 Users - Please read this FAQ ***

Includes

• (1) ART USB Dual Pre PS
• (1) USB cable
• (2) 20' Microphone Cables terminated w/professional 3-pin connectors XLR-M x XLR-F
• Audacity Recording & Production Software

Applications

• Home Studio
• On Location Recording

Features

• USB Connectivity to Desktop and Laptop Computers
• Low Noise Fully Balanced XLR and 1/4-inch TRS Combi Inputs
• Up to 48 dB of Clean Gain
• Built-in Low Noise Phantom Power Supply
• Flexible 3-way Power from USB, External Supply, or 9 Volt Battery

Specifications

• Signal To Noise Ratio: Greater than 90 dB (Ref 0 dBu)
• Frequency Bands: 20 Hz to 20 kHz (0, -1 dB)
• Maximum Gain: +48 dB (balanced in-out)
• Input Impedance: Greater than 300 K ohms 1/4-inch, 4 K ohms XLR
• Maximum Output Level: +6 dBu in, +10 dBu out (balanced), +4 dBu out
• Input Connectors: XLR 1/4-inch TRS combi jack balanced/ / unbalanced
• Output Connectors: 1/4-inch TRS, 1/8-inch TRS headphone
• Total Harmonic Distortion: Less than 0.01% @ 1 kHz
• Phantom Power: Selectable +48 Volts DC
• Power: 7.5-12 DC @ 150 mA, USB bus or 9V Battery
• Construction: Aluminum black anodized with rubber sides
• Dimensions: (HWD inches/mm) 1.75 x 4.6 x 4.7 / 44.5 x 117 x 119
• Weight: 1.3 lbs / 0.59 kg

The Stedman SHH is an ideal way to store headphones in the studio keeping them safe and convenient. This handy all metal hanger attaches to any mic stand or music stand with ease. NEW! The clamping knob is our improved design with nylon tip to prevent the scratching of equipment. Includes Lifetime Warranty.

Includes

• 1 SHH Headphone Hanger

Applications

• Headphone hanger for studio use.

Features

• Clamping knob with nylon tip to prevent the scratching of equipment.
• Includes Lifetime Warranty.

Specifications

• Length:..................4.5” (114 mm)
• Width:......................2.25” (57mm)
• Clamp opening diameter:.................0.39” (9 mm) to .925” (23.5 mm)

As the most critically acclaimed model in the M-Series line, the ATH-M50 is praised by top audio engineers and pro audio reviewers year after year.

Now, the ATH-M50x professional monitor headphones feature the same coveted sonic signature, with the added feature of detachable cables.

From the large aperture drivers, sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

Includes

• ATH-M50x Headphones
• 1.2 m - 3.0 m coiled cable
• 3.0 m straight cable
• 1.2 m straight cable
• Protective Storage Bag
• 1/4” TRS adapter

Applications

• Studio Tracking and mixing
• DJ Monitoring
• Personal Listening

Features

• Critically acclaimed sonic performance praised by top audio engineers and pro audio reviewers
• Proprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils
• Exceptional clarity throughout an extended frequency range, with deep, accurate bass response
• Circumaural design contours around the ears for excellent sound isolation in loud environments
• 90° swiveling earcups for easy, one-ear monitoring
• Professional-grade earpad and headband material delivers more durability and comfort
• Collapsible for space-saving portability
• Detachable cables (includes 1.2 m - 3.0 m coiled cable, 3.0 m straight cable and 1.2 m straight cable)

Specifications

• Type……………..Closed-back Dynamic
• Driver Diameter:……………45mm
• Magnet:………..Neodymium
• Frequency Response:……….15-28,000Hz
• Maximum Input Power:……..1,600 mW @ 1kHz
• Impedance:……………….38 Ohms
• Voice Coil:………………Copper-clad aluminum wire
• Weight:………………….285g (10 oz)
• Sensitivity:……………..99 dB
• Cable:………………….Interchangeable cables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable, detachable 3.0 m (9.8') straight cable and detachable 1.2 m (3.9') straight cable

• 1.2 m- 3 m (3.9’-9.8') coiled cable (black)
• Replacement cable compatible with ATH-M40x and ATH-M50x headphones
• Includes 6.3 mm (1/4”) screw-on adapter

Dynamic MicroDriver The SE215 delivers detailed sound with enhanced bass. A detachable cable with formable wire enables easy replacement and a secure, comfortable fit onstage or on-the-go. Sound Isolating sleeves in multiple sizes provide up to 37 dB of isolation and a customized fit.

Evolved from personal monitor technology that's been road-tested by pro musicians, the SE215 offers detailed sound for personal listening or professional monitoring.

Includes

• Shure SE215
• Sleeve fit kit
• Cleaning Tool
• Carrying Case
• User Guide

Applications

• Personal Listening
• Professional Monitoring

Features

• Single Dynamic MicroDriver
• Detachable cables with formable wire
• Available in clear and translucent black

Specifications

• Driver:……..............….Dynamic MicroDriver
• Input Connection:…......................……..1/8”
• Frequency Response:……….22Hz-17.5kHz
• Sensitivity:......................…107 dB SPL/mW
• Impedance:………………...............17 Ohms
• Cable Style:……………..64” Detachable(at ear) with wireworm kit
• Colors…………..Available in Clear or Translucent Black

The ATH-ANC40BT QuietPoint® wireless in-ear headphones combine Audio-Technica’s proprietary active noise-cancelling technology with Bluetooth® wireless technology to give you greater freedom and listening pleasure in areas of high ambient noise.

The wireless headphones reduce that distracting background noise by up to 90% while the 13.5 mm drivers deliver superior sound reproduction. The Bluetooth functionality, coupled with an in-line mic and controls, lets you operate hands-free, wirelessly answering/ending calls, controlling music playback and adjusting volume on Bluetooth enabled devices.

The headphones pair with up to eight Bluetooth enabled devices, and can be connected with two of those devices simultaneously, allowing you to shift seamlessly between your phone and tablet, phone and laptop or any other pair of Bluetooth enabled devices.

The ATH-ANC40BT headphones also employ aptX® sound-improvement technology, specifically created to yield the best-possible audio performance over Bluetooth transmission.

Engineered to create a comfortable listening environment in areas with high ambient noise, these wireless in-ear headphones feature a miniature microphone in each earpiece that picks up ambient noise (such as traffic, air-handling systems, etc.). Electronics in the QuietPoint control module create a noise-cancelling wave that is 180° out of phase with the ambient noise. This wave acts like a noise eraser: it cancels out the annoying sounds that surround you without diminishing the audio you want to hear. The result: a peaceful enclave to enjoy the music or movies of your choice.

The ATH-ANC40BT wireless headphones feature a convenient neck band design that loops the cable from ear to ear around the back of your neck so you don’t have to deal with any dangling cords. However, the headphones also come with a detachable 1.2 m (3.9') cable with 3.5 mm stereo mini-plug that can be used to create a standard wired connection – helpful in areas where Bluetooth wireless operation is prohibited or for when the power from the internal DC3.7 lithium polymer battery gets low.

Also included are silicone eartips (XS/S/M/L), a 1.0 m (3.3') USB charging cable, an airplane adapter, and a protective pouch.

*The Bluetooth® word mark and logos are owned by Bluetooth SIG, Inc. and any use of such marks by Audio-Technica Corporation is under license. Other trademarks and trade names are those of their respective owners.

*aptX is a registered trademark of Qualcomm Technologies, Inc.

The ATH-COR150iS SonicSport® in-ear headphones give you great sounding audio with a travel-friendly design that includes in-line mic/control and snap-on ear hooks. The 8.5 mm drivers provide crystal clear sound reproduction with impressive bass response that brings out the depth in any type of music. The advanced-fit design features snap-on/snap-off ear hooks that enable the cord to be wrapped over each ear for additional stay-in-place comfort. Plus, with three sizes (S/M/L) of eartips to choose from, you’ll enjoy a customized fit with outstanding sound isolation.

The cord features an in-line mic and control that lets you answer calls and handle playback (play, pause, fast-forward, reverse, next/previous track) of music and video on smartphones and other portable devices, including iOS devices.

Includes

• Sonic Sport ATH-COR150iS
• Ear Hangers
• 3 sizes (S/M/L)

Features

• 8.5 mm drivers provide crystal-clear sound with excellent depth and detail
• In-line control with mic for answering/ending calls, controlling music & video playback (on compatible smartphones & other portable devices)
• Snap-on/snap-off ear hooks and 3 sizes (S/M/L) of silicone eartips provide custom fit, long-wearing comfort and outstanding sound isolation

Specifications

• Driver Diameter............................................8.5mm
• Frequency Response.................................20 - 25,000 Hz
• Maximum Input Power........................................20 mW
• Sensitivity.............................................103 dB/mW
• Impedance................................................16 ohms
• Weight............................................4.2 g (0.1 oz)
• Cable........................................1.2 m (3.9') Y-type
• Connector..........................3.5 mm (1/8") stereo mini-plug
• Mic Type................................................Condenser
• Mic Sensitivity.......................-44 dB (0 dB=1 V/Pa, 1 kHz)
• MicFrequency Response.............................100 – 10,000 Hz
• Mic Polar Pattern.................................Omnidirectional

Features

Dynamic MicroDriver The SE112 delivers great sound with deep bass and impressive sound isolation. The first step in an audio upgrade for portable digital devices, the SE112 features Sound Isolating sleeves in multiple sizes block outside noise up to 37 dB and provide a secure, comfortable fit.

Evolved from personal monitor technology that's been road-tested by pro musicians, the SE112 delivers detailed sound for personal listening or monitoring.

Dynamic MicroDriver The SE112 delivers great sound with deep bass and impressive sound isolation. The first step in an audio upgrade for portable digital devices, the SE112 features Sound Isolating sleeves in multiple sizes block outside noise up to 37 dB and provide a secure, comfortable fit.

Includes

• SE112 Sound Isolating Headphones
• Sound Isolating Sleeves(S,M,L)
• Carry Pouch

Applications

• Personal Listening
• In-ear Monitoring

Features

• Sound Isolating Design
• Unmatched Personalization and Comfort

Specifications

• Speaker Type:..........Single Dynamic MicroDriver
• Sensitivity:...............105 dB SPL/mW
• Frequency Range:...........25Hz – 17kHz
• Cable Style:..........50" Fixed
• Color:...Grey

For all current SE EARPHONE models, including KSE1500, (also E3c, E4c, E5c, E500PTH, i3c, and i4c models). Washable, reusable, tapered black foam sleeves available in 5-pair packs in S, M, and L.

Does not fit (E2, E2c, E2g, SE102, SCL2, i2C, Quietspot)

Audio-Technica’s ATH-ANC9 QuietPoint® on-ear headphones use proprietary active noise-cancelling technology to provide a comfortable listening environment in areas with high ambient noise.

Delivering noise cancellation up to a remarkable 95%, the ATH-ANC9 QuietPoint® headphones feature Audio-Technica’s new Tri-Level Cancellation™. Mode 1, ideal for use on airplanes, trains and buses, applies maximum noise cancellation to low frequencies. Mode 2, designed especially for use in noisy offices or crowded places, targets the mid-range frequencies, while Mode 3 creates a pristine, peaceful environment ideal for study. The headphones feature four miniature microphones, two in each earpiece, that pick up ambient noise and create a sound-cancelling signal to effectively block the noise.

The ATH-ANC9 headphones also offer a cable with an inline microphone and controller for answering calls and controlling music. The mic and controller support select products, including iPhones, iPads, and many iPods.

The microphone has an omnidirectional pickup pattern and it is designed for crisp intelligibility, so your voice will be clearly transmitted without having to speak directly into the mic. These headphones are designed to offer you crystal-clear sound that makes Audio-Technica the choice of leading artists worldwide.

Wherever you happen to find yourself—in the comfort of your living room, in a noisy office, or settling in for a long flight—there is no better way to experience audio or immerse yourself in a peaceful environment.

Includes

• Headphones
• Detachable 1.2 m (3.9') cable with 3.5 mm (1/8") stereo mini-plugs
• Detachable 1.2 m (3.9') cable with inline control/ microphone and 3.5 mm (1/8") stereo mini-plugs
• 6.3 mm (1/4") stereo adapter
• Airline Adapter
• AAA battery
• Carrying Case

Features

• QuietPoint® active noise-cancelling technology reduces environmental noise by up to 95%
• Tri-Level Cancellation™ - 3 noise-cancelling modes customize performance for airplane, office, & study
• 40 mm drivers for crystal-clear high-fidelity audio reproduction
• Luxurious memory foam padding on headband and earcups
• Audio functions (in passive mode) even without the battery
• Use for MP3, iPhone/smartphone, CD, DVD & in-flight entertainment
• Fold-flat designed with included hard case, battery, adapters & 2 cables (1 with inline control/mic)

Specifications

• Type:..........Active noise-cancelling
• Driver:...............40 mm
• Output Connection:...........
• Frequency Response:..........10 - 25,000 Hz
• Quietpoint® Active Noise Reduction Mode 1:...Up to 30 dB
• Quietpoint® Active Noise Reduction Mode 2:...Up to 30 dB
• Quietpoint® Active Noise Reduction Mode 3:...Up to 20 dB
• Impedance:...................100 ohms
• Weight:......................220 g (7.8 oz), without cable and battery
• Sensitivity:.................100 dB
• Battery:......................AAA

The ATH-S700BT offers clear, full-bodied audio reproduction with Bluetooth® wireless operation. The headphones are equipped with a mic, and music and volume controls, allowing you to easily answer calls, adjust volume and handle playback (play, pause, fast-forward and rewind) of music and video on compatible smartphones and other portable devices. The headphones remember up to eight devices and automatically connect with the last paired device. A 1.2 m (3.9') smartphone cable with mic and controls is also included to provide a standard wired connection that can be used in areas where Bluetooth wireless use is prohibited or when battery power is low.

The headphones feature 40 mm drivers for powerful sound and efficient signal transfer. The housings are designed with an acoustic chamber that’s separate from the electronics in order to maximize driver performance. And the audio is given an additional boost from the high-quality, built-in headphone amplifier.

The ATH-S700BT is equipped with an internal lithium polymer rechargeable battery that provides six hours of continuous use and up to 200 hours in standby mode. A 1.0 m (3.3') USB charging cable is included.

*The Bluetooth® word mark and logos are owned by Bluetooth SIG, Inc. and any use of such marks by Audio-Technica Corporation is under license. Other trademarks and trade names are those of their respective owners.

• 3 m (9.8’) straight cable (black)
• Replacement cable compatible with ATH-M40x and ATH-M50x headphones
• Includes 6.3 mm (1/4”) screw-on adapter

The CAD Audio DH100 Isolation Headphones are a high quality, stereo headphone that allows you to hear music through the headphones, or a click track during recording sessions, while cutting ambient noise by 19dB. They are an essential tool in the studio, live on stage, and a great ally for the practicing musician.

Studio Sound Unbound

The ATH-M50xBT harnesses the legendary M50x studio sound for an exhilarating wireless listening experience, with exceptional clarity and deep, accurate bass response.

Utilizing Bluetooth wireless technology and 45 mm large-aperture drivers with rare-earth magnets and copper-clad aluminum wire voice coils, the ATH-M50xBT brings the coveted sonic signature of M50x to a wireless, on-the-go design.

Includes

• ATH-M50xBT Wireless Over-Ear Headphone
• 1.0' (30 cm) USB charging cable
• Detachable 3.9' cable (1/8") gold-plated stereo mini-plug (L-shaped)
• Protective Pouch

Features

• Wireless, on-the-go design delivers the same critically acclaimed sonic performance as the original ATH-M50x professional studio headphones
• Mic and button controls built into the earcup allow for easy handling of calls, music playback and volume adjustment
• Proprietary 45 mm large-aperture drivers deliver exceptional clarity throughout an extended frequency range, with deep, accurate bass response
• Over-ear design for excellent sound isolation in loud environments
• Professional-grade earpad and headband material for long-lasting durability and comfort
• Up to 40 hours of continuous use on a full charge
• Compatible with aptX and AAC codecs

Specifications

• Type........................................Closed-back dynamic
• Driver Diameter...............................................45 mm
• Magnet......................................................Rare earth
• Voice Coil.......................Copper-clad aluminum wire
• Frequency Response.........................15 - 28,000 Hz
• Sensitivity..................................................99 dB/mW
• Impedance....................................................38 ohms
• Battery......................DC3.7 V lithium polymer battery
• Battery Life.......................~40 hours continuous use
• Charging Time..............................................~7 hours
• Weight....................10.9 oz, w/o cable and connector
• Bluetooth Version....................................................5.0
• Max Range.........................................Line of sight ~33'
• Compatible Bluetooth Profiles......A2DP,AVRCP,HFP,HSP
• Support Codec............Qualcomm® aptX,AAC,SBC